Minggu, 27 Juli 2014

[Y201.Ebook] Download PDF How Picturebooks Work (Children's Literature and Culture) 1st edition

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How Picturebooks Work (Children's Literature and Culture) 1st edition

  • Published on: 1707
  • Binding: Paperback

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Sabtu, 19 Juli 2014

[O977.Ebook] Download Ebook On Beauty: A Novel, by Zadie Smith

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On Beauty: A Novel, by Zadie Smith

Winner of the 2006 Orange Prize for fiction, another bestselling masterwork from the celebrated author of White Teeth 

Having hit bestseller lists from the New York Times to the San Francisco Chronicle, this wise, hilarious novel reminds us why Zadie Smith has rocketed to literary stardom. On Beauty is the story of an interracial family living in the university town of Wellington, Massachusetts, whose misadventures in the culture wars-on both sides of the Atlantic-serve to skewer everything from family life to political correctness to the combustive collision between the personal and the political. Full of dead-on wit and relentlessly funny, this tour de force confirms Zadie Smith's reputation as a major literary talent.

Zadie Smith’s newest novel, Swing Time, was published by Penguin Press in November 2016.

  • Sales Rank: #53661 in Books
  • Brand: Penguin Books
  • Published on: 2006-08-29
  • Released on: 2006-08-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .90" w x 5.50" l, .87 pounds
  • Binding: Paperback
  • 464 pages
Features
  • Great product!

Amazon.com Review
In an author's note at the end of On Beauty, Zadie Smith writes: "My largest structural debt should be obvious to any E.M. Forster fan; suffice it to say he gave me a classy old frame, which I covered with new material as best I could." If it is true that imitation is the sincerest form of flattery, Forster, perched on a cloud somewhere, should be all puffed up with pride. His disciple has taken Howards End, that marvelous tale of class difference, and upped the ante by adding race, politics, and gender. The end result is a story for the 21st century, told with a perfect ear for everything: gangsta street talk; academic posturing, both British and American; down-home black Floridian straight talk; and sassy, profane kids, both black and white.

Howard Belsey is a middle-class white liberal Englishman teaching abroad at Wellington, a thinly disguised version of one of the Ivies. He is a Rembrandt scholar who can't finish his book and a recent adulterer whose marriage is now on the slippery slope to disaster. His wife, Kiki, a black Floridian, is a warm, generous, competent wife, mother, and medical worker. Their children are Jerome, disgusted by his father's behavior, Zora, Wellington sophomore firebrand feminist and Levi, eager to be taken for a "homey," complete with baggy pants, hoodies and the ever-present iPod. This family has no secrets--at least not for long. They talk about everything, appropriate to the occasion or not. And, there is plenty to talk about.

The other half of the story is that of the Kipps family: Monty, stiff, wealthy ultra-conservative vocal Christian and Rembrandt scholar, whose book has been published. His wife Carlene is always slightly out of focus, and that's the way she wants it. She wafts over all proceedings, never really connecting with anyone. That seems to be endemic in the Kipps household. Son Michael is a bit of a Monty clone and daughter Victoria is not at all what Daddy thinks she is. Indeed, Forster's advice, "Only connect," is lost on this group.

The two academics have long been rivals, detesting each other's politics and disagreeing about Rembrandt. They are thrown into further conflict when Jerome leaves Wellington to get away from the discovery of his father's affair, lands on the Kipps' doorstep, falls for Victoria and mistakes what he has going with her for love. Howard makes it worse by trying to fix it. Then, Kipps is granted a visiting professorship at Wellington and the whole family arrives in Massachusetts.

From this raw material, Smith has fashioned a superb book, her best to date. She has interwoven class, race, and gender and taken everyone prisoner. Her even-handed renditions of liberal and/or conservative mouthings are insightful, often hilarious, and damning to all. She has a great time exposing everyone's clay feet. This author is a young woman cynical beyond her years, and we are all richer for it. --Valerie Ryan

From Publishers Weekly
Starred Review. Truly human, fully ourselves, beautiful," muses a character in Smith's third novel, an intrepid attempt to explore the sad stuff of adult life, 21st century–style: adultery, identity crises and emotional suffocation, interracial and intraracial global conflicts and religious zealotry. Like Smith's smash debut, White Teeth (2000), this work gathers narrative steam from the clash between two radically different families, with a plot that explicitly parallels Howards End. A failed romance between the evangelical son of the messy, liberal Belseys;Howard is Anglo-WASP and Kiki African-American;and the gorgeous daughter of the staid, conservative, Anglo-Caribbean Kipps leads to a soulful, transatlantic understanding between the families' matriarchs, Kiki and Carlene, even as their respective husbands, the art professors Howard and Monty, amass matériel for the culture wars at a fictional Massachusetts university. Meanwhile, Howard and Kiki must deal with Howard's extramarital affair, as their other son, Levi, moves from religion to politics. Everyone theorizes about art, and everyone searches for connections, sexual and otherwise. A very simple but very funny joke;that Howard, a Rembrandt scholar, hates Rembrandt;allows Smith to discourse majestically on some of the master's finest paintings. The articulate portrait of daughter Zora depicts the struggle to incorporate intellectual values into action. The elaborate Forster homage, as well as a too-neat alignment between characters, concerns and foils, threaten Smith's insightful probing of what makes life complicated (and beautiful), but those insights eventually add up. "There is such a shelter in each other," Carlene tells Kiki; it's a take on Forster's "Only Connect;," but one that finds new substance here.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–A hilarious comedy of manners in the tradition of Austen, Wharton, and Forster, to whom the author pays homage. She tackles class, race, and gender with acerbic wit and a wise eye for the complexities of modern life, in a 21st-century update of Howards End. Beauty opens as hapless art historian Howard Belsey, a transplanted Englishman married to an African-American woman, returns to London to prevent his son from marrying the daughter of his academic rival, Monty Kipps. Jerome has fallen in love not just with Victoria, but with the entire family, whose Trinidadian, right-wing roots are a sharp contrast to the freewheeling liberalism of his own family. In the meantime, Belseys other children, social activist Zora and Levi, who speaks only street slang and fancies himself from the hood, are each seeking the commitments and identities that will define their own lives. What results is a vivid portrait of marriage, family, the conflict between the political and the personal, and peoples eternal affinity for self-deception. Teens will enjoy this romp through the labyrinth of relationships that help a family mature and find its beautiful moments.–Pat Bangs, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Most excellent!
By Ernel
She is in my top 3 authors list (also Ben Fountain and ??) for this century. The situations are always original. Her development of characters is so good; there is a lot of humor in how they act and interact. She is very perceptive with respect to a wide range of types of person. A little deep for the average bestseller reader, judging by some of the reviews.

3 of 3 people found the following review helpful.
Wanted to give 4.5 stars, but not possible
By q
I quickly fell in love with the characters in this book. They were multifaceted, likable people, but not perfect (like real humans). The situations seemed real. I would defintely read another book about Kiki and her kids.
I think the author may be confused about what states in the U.S. are part of the Deep South (versus Southern), but that was very easy to overlook.

3 of 3 people found the following review helpful.
Gripping characterization
By Petunia
I read a dozen books of literary fiction last summer, and this is the one that sticks with me. The characters are original and memorable but also believable. Smith spins a tale I had never heard before, just surprising enough to still be realistic. At no point was I bored. Reading On Beauty was one of those treats where you actually wake up thinking about the story and hoping you can spend time in that world before you have to get back to yours. No serial killers here, nor detectives, just a family trying to stick together while time and human nature is pulling them apart--the way it tends to do.

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Kamis, 17 Juli 2014

[P276.Ebook] Ebook Download POLYGONS; A Woodworker's Guide to Multi-Sided Projects, by Jerry Cole

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POLYGONS; A Woodworker's Guide to Multi-Sided Projects, by Jerry Cole

“POLYGONS” is a Mathematical Reference for building Multi-Sided shapes which was written primarily for individuals involved in the activities of Woodworking and Picture Framing. The goal of the author was to provide simple information to the reader that would greatly simplify the building and assembly of different shaped projects they may wish to build. Where most individuals would require a lot of “trial and error” effort on their part to build the shapes listed in the book, through simple charts, formulas, illustrations, and information, “POLYGONS” will greatly simplify the processes required. The simple approach to “POLYGONS” makes it a reference that will benefit Woodworkers of any skill level from a novice in Jr. High Industrial Arts to Expert Woodworkers as they design and build Multi-Sided Projects.

  • Sales Rank: #5015880 in Books
  • Published on: 2010-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .40" w x 8.40" l, 1.32 pounds
  • Binding: Paperback
  • 203 pages

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0 of 3 people found the following review helpful.
Three Stars
By Charlie Miller
good

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[R987.Ebook] Ebook Free Rebel Spring: A Falling Kingdoms Novel, by Morgan Rhodes

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Rebel Spring: A Falling Kingdoms Novel, by Morgan Rhodes

War brought them together. Love will tear them apart.

Auranos has been conquered and the three kingdoms—Auranos, Limeros, and Paelsia—are now unwillingly united as one country called Mytica. But alluring, dangerous magic still beckons, and with it the chance to rule not just Mytica, but the world. . . .

  • CLEO is now a prisoner in her own palace, forced to be an ambassador for Mytica as the evil King Gaius lies to her people
  • MAGNUS stands to eventually inherit the new kingdom but is still obsessed with his feelings for his adopted sister, Lucia
  • LUCIA is haunted by the deadly outcome of her breathtaking display of magic that allowed her father to capture the kingdoms
  • JONAS watches at the palace gates, a troop of rebels behind him, waiting for him to tell them how he plans to overtake King Gaius
When Gaius announces that a road is to be built into the Forbidden Mountains, formally linking all of Mytica together, he sets off a chain of cataclysmic events that will forever change the face of this land.

Praise for Falling Kingdoms

“From an opening dripping with blood, magic, and betrayal through complex interweaving plots detailing treachery, deceit, and forbidden love, this novel . . . will immediately engage readers and keep them intrigued.”—Booklist
“[It] will gut you emotionally . . . make you ache, cry, and beg for the sequel as you turn the last page. I absolutely loved it.”—Julie Kagawa, New York Times bestselling author of The Iron Queen

“This triple-layered tale of bloodshed, heartbreak, and tangled court intrigue kept me turning pages very late into the night.”—Lesley Livingston, author of Wondrous Strange and Starling


Richelle Mead, bestselling author of the Vampire Academy and Bloodlines series, sits down with Morgan Rhodes to talk about Rebel Spring, the much-anticipated second book in her bestselling Falling Kingdoms series.

Richelle Mead: Morgan Rhodes (aka Michelle Rowen) has been my friend for a number of years. We've hung out together at conferences and swooned over each other's books. When she was able to work on Vampire Academy: The Ultimate Guide, I couldn't believe how lucky I was to have someone who was already a fan of the VA world and whose writing I personally loved. I'm just as excited about her Falling Kingdoms series and couldn't resist this chance to ask her some questions about Rebel Spring, the next book in the series!

Morgan Rhodes: I was thrilled for the chance to write the VA Ultimate Guide! I remember Richelle telling me there were plans for the book and I piped up with: “I totally want to write that!” And what fun it was to delve back into a series that I loved (and am still in love with thanks to the wonderful Bloodlines spinoff). I’m counting down the days for the VA movie! Richelle is not only a friend, but one of my very favorite authors, so it’s a real honor to be interviewed by her about Rebel Spring.

RM: So without further ado, let’s start talking about the new book. The world of Falling Kingdoms is so vivid and detail-rich. When it comes to world-building for these novels, where do you get your inspiration?

MR: I get my inspiration from pretty much everywhere, although I’m visually inspired by some of my favorite TV shows and movies, which run the gamut from Lord of the Rings to The Princess Bride to Game of Thrones, to name just a few.

RM: At the end of Falling Kingdoms, things are looking pretty bleak in Mytica. Is it fair to say that Rebel Spring will be quite a bit darker than book 1?

MR: The stakes have been raised and sharpened, for sure. Blood will spill and lives will be lost. But I don’t think I would ever want to write a book that was unrelentingly bleak from beginning to end. I can promise that Rebel Spring contains plenty of comic relief and romance to counterbalance the darker bits.

RM: The Falling Kingdoms books are written from multiple POVs, and each of your narrators has such a unique voice and perspective. How does your experience vary from POV to POV? Are there some characters that are more difficult than others? Do you have a favorite?

MR: It’s been a wonderful and exciting challenge to write in multiple points of view from my diverse cast. I will admit, some POVs are always a joy to write and others prove to be a challenge. I try to put myself in the head of that character and see the world from their eyes, no matter who they are or what their goals are. I get into the heads of a couple different characters in Rebel Spring, including a villain who definitely sees things from a darker angle than anything I’ve written before – which was fun. The characters whose scenes I most look forward to writing since they are very specific personalities and basically take over and make things easier for me are Cleo and Magnus. They tend to surprise me while the other characters usually stick to the outline!

RM: Let’s talk body count. You’re very good at making me fall in love with your characters, but you’re also very good at killing them off when I least expect it. How do you decide the who, how, when, and why when it comes to killing off your characters?

MR: I never knew how much I enjoyed killing characters until I started writing this series. *evil grin* However! I like to think those who get the ax (sometimes, um, literally) are necessary deaths. It’s all for a purpose, to change another character in the face of their shock and grief, to lead them down a path they never would have taken before, and to spark a desire for revolution and vengeance in the hearts of those who might previously have been passive and peaceful. Plus, I always think when things seem a bit too ideal and characters are getting too comfortable, it’s a good time to get a few heads rolling to keep things interesting for readers – and for me as the writer!

RM: What’s going on with Magnus? He seems like kind of a jerk in Falling Kingdoms, but I get the sense he’s got a soft spot.

MR: With a father like King Gaius, whose nickname is the “King of Blood,” it would be pretty hard for a prince to grow up as a nice dude with a sunny disposition! Magnus really came alive on the page for me, more so than any other character in the cast. Initially, he was supposed to be a jerk through and through, but he’s really more of a lost soul whose entire life has been devoted to attempting to gain his cruel and driven father’s love and respect. However, Magnus has begun to learn that he might have a different set of morals than the king, even though he knows following in Daddy’s footsteps would make life easier for him. This isn’t to say that Magnus hasn’t made (and will make) some rather dreadful decisions that will certainly cast a shadow over his future relationships and experiences.

RM: Jonas has a lot of axes to grind by the end of book 1. What can we expect from him in Rebel Spring?

MR: I think the main thing with Jonas is that beneath his thirst for vengeance (focused on both the murderer of his brother Aron and King Gaius) is that he really does mean well. He cares about the people of downtrodden Paelsia, and he’s someone, unlike his fellow countrymen, who doesn’t believe his future is ruled by uncontrollable fate. In Rebel Spring, Jonas has been thrust into the position of rebel leader, which will be a challenge for him on many levels.

RM: Okay, ultimate personality test: Are you a Cleo or a Lucia?

MR: Both are princesses from vastly different kingdoms and upbringings – Cleo is a girl who has favored parties and frivolity in the past, while Lucia prefers learning and solitude. Cleo is stubborn and sometimes reckless, and Lucia is more measured and controlled, but may be considered naïve in many ways. I wouldn’t say I’m much like either princess, really, although I am blond like Cleo and I love books like Lucia. :)

RM: Lastly, can you talk a little bit about your writing process? 

MR: It would be next to impossible to undertake a large tapestry of a series like Falling Kingdoms if I didn’t plan a lot of it ahead of time. I work from a detailed outline and map out character goals and conflicts and relationship arcs, but I’m still surprised by some of the things my characters say and do that can take me in a direction different from what was meticulously planned. So far, it’s been a lot of fun to explore these unexpected paths to see where they lead.

  • Sales Rank: #100763 in Books
  • Brand: Razorbill
  • Published on: 2013-12-03
  • Released on: 2013-12-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.30" w x 6.25" l, 1.35 pounds
  • Binding: Hardcover
  • 416 pages
Features
  • Razorbill

Review
PRAISE for the FALLING KINGDOMS series:

"Morgan Rhodes has created a rich, living fantasy world and characters that immediately draw the reader in. This is one of those series you can't help but be obsessed with. I can't wait to see what happens next!" —Richelle Mead, #1 New York Times bestselling author of the Vampire Academy and The Glittering Court
 
“An otherworldly epic...evocative and intricate.”—Publishers Weekly
 
“…You must have this book on your shelves.” —Bustle
 
“Falling Kingdoms is a superbly written and character-driven narrative.” —Bookpage
 
“[A] YA Game of Thrones full of intrigue, betrayal, lies and love.” —The Guardian 

"Falling Kingdoms will gut you emotionally. It will make you ache, cry, and beg for the sequel as you turn the last page. I absolutely loved it." —Julie Kagawa, New York Times bestselling author of The Iron Queen

“In this Game of Thrones-esque high fantasy, Rhodes has created a world that’s raging with war, deceit, spoiled royals, and a populous needing little to spark a revolution.” —NPR/WAMC’s The Roundtable

"From an opening dripping with blood, magic, and betrayal through complex interweaving plots detailing treachery, deceit, and forbidden love, this novel is the first in a projected series that will immediately engage readers and keep them intrigued.” —Booklist

About the Author
Morgan Rhodes is the New York Times bestselling author of the Falling Kingdoms series. Under another pen name, she's an award winning author of more than two dozen novels. Morgan lives in Southern Ontario, where she’s currently hard at work on the next Falling Kingdoms book.

Excerpt. © Reprinted by permission. All rights reserved.
***This excerpt is from an advance uncorrected proof.***

Copyright © 2013 by Morgan Rhodes

PROLOGUE

 

Death cast a long shadow across the barren miles of Paelsia. The news of Chief Basilius’s murder spread swiftly, and vil­lages throughout the land fell into a deep mourning. They grieved a great man—a sorcerer who could touch magic and whom many in this land with no official religion thought of as a living god.

“What will we do without him?” was a constant cry in the days and weeks that followed. “We are lost!”

“Honestly,” Lysandra grumbled to her older brother, Gregor, as they snuck out of their family’s cottage at twilight. “He never showed any true magic. It was all just talk! It’s like they forget he taxed us all to death. The chief was a liar and a thief who lived high and mighty at his compound, sucking back wine and food while the rest of us starved!”

“Hush,” Gregor warned, but he was laughing. “You speak your mind far too much, “I can handle trouble.” Lysandra aimed her arrow at the target on a tree twenty paces away and let go. She hit the very center. Pride warmed her on this cool evening and she glanced at her brother for his reaction.

“Nice shot.” His grin widened and he nudged her aside to take his turn. “However, this will be nicer.”

Easily, he split her arrow in two. She couldn’t help but be im­pressed. They’d been practicing like this for months in secret. She’d had to beg her brother to share his knowledge of archery, but he finally relented. It was unusual for a girl to be taught how to use weapons. Most believed girls were meant to cook and clean and look after the men.

Which was ridiculous. Especially since Lysandra was a natural at this.

“Do you think they’ll be back?” she asked Gregor quietly, scan­ning the small village nearby, the thatched roofs, the mud and stone exteriors. Smoke wafted from the chimneys of many of the small homes.

His jaw tensed. “I don’t know.”

A week ago, important-looking representatives of the con­queror, King Gaius, visited their village, asking for volunteers to go east and begin work on a road the king wanted quickly built, one that would snake not only through Paelsia, but through the neighboring lands of Auranos and Limeros as well.

Gregor and their father had been chosen to greet the men, and the pair had stood up to the bright smiles and smooth words without allowing themselves to be intimidated or swayed. The vil­lage had declined the offer.

The King of Blood thought he now ruled them. But he was sorely mistaken. They might be poor, but they were proud. No one

had the right to tell them what to do.

King Gaius’s men had left without argument.

“Idiot Basilius,” Lysandra mumbled. “He may have trusted the king, but we’re smart enough not to. Basilius deserved to be skew­ered. It was only a matter of time. Makes me sick to my stomach that he’d be such a fool.” Her next arrow flew off course. She needed to work harder on her concentration. “Tell me more about the rebels who plan to stand up against the king.”

“Why do you want to know? Do you want to be the one of the few girls to join their ranks?”

“Maybe I do.”

“Come, little Lys.” Gregor laughed and grabbed her wrist. “There have to be a few rabbits we can find to practice your aim on next. Why waste arrows on trees and breath on silly words? Don’t worry about the rebels. If anyone will soon be joining them in their fight against the king, it’ll be me.”

“Not silly,” she mumbled.

But he did have a point—at least when it came to their target practice. The trees were scarce here anyway. Most of the area was brown and dry with a few small greener areas in which her mother and other women tended vegetable gardens that, each year, yielded fewer and fewer vegetables, but many tears. Her mother had not stopped crying since she’d heard of Basilius’s death.

It wrenched Lysandra’s heart to see her mother so upset, so inconsolable, but she tried to reason with her. “I believe we make our own destinies, every last one of us,” she’d told her mother last night. “Who leads us makes no difference.”

This was met with a sad, weary look of patience. “You’re so naive, daughter. I pray it won’t lead you astray.”

And now her mother prayed to the dead chief about her rule-breaking daughter. This wasn’t unexpected. Lysandra had always caused her mother grief by not being an acceptable daughter who did acceptable things. Lysandra was accustomed to not fitting in with her friends, who couldn’t understand her fascination with making arrows until she got blisters on her fingers or staying outside until her nose burned so red it practically glowed in the dark.

Gregor put his arm out to halt Lysandra’s steps.

“What?” she asked.

“Look.”

They were less than a mile from the village. Before them was a small clearing, barren of any vegetation at all. It was surrounded by dry bushes and leafless trees. An old woman, one Lysandra rec­ognized as Talia, the eldest in their village, stood in the middle of the clearing. The carcass of a red fox lay in front of her. The woman had drained the blood from the animal into a wooden cup. With this blood, she drew symbols on the parched, cracked earth with the tip of her finger.

Lysandra had never seen anything like it in her life. “What’s Talia doing? What’s she drawing?”

“Four symbols,” Gregor said, his voice hushed. “Do you know what they are?”

“No, what?”

“The symbols are of the elements: fire, air, water, and earth.” He pointed to each in turn, a triangle, a spiral, two stacked wavy lines, and a circle within a circle. His throat worked as he swal­lowed hard. “I had no idea. Our village elder . . . she’s a witch. An Oldling.”

“Wait. You’re saying that old, simple-minded Talia’s a . . . witch?”

She waited for him to start grinning and tell her he was just jok­ing. But he was serious—deadly serious.

Gregor’s brows drew together. “I had my suspicions, but this is the proof. She’s kept her secret well over all the years. You know what can happen to witches.”

In the neighboring kingdom of Limeros they were burned. Hanged. Beheaded. Witches were considered evil, even here in Paelsia. Bad luck. A curse upon this land making it wither away and die. In Limeros, many believed that such witches were what had cursed that land to turn to ice.

Lysandra remembered Talia’s unusual reaction when she’d learned the chief had been murdered by King Gaius. She’d nodded once, grimly, brushed off her dusty skirts, and said four words:

“And so it begins.”

Everyone thought the old woman was mad so they paid no attention to her ramblings, but for some reason those words had resonated with Lysandra and sent a chill down her spine.

“So what begins?” She’d caught the old woman’s arm. “What do you mean?”

Talia had turned her pale, watery eyes on Lysandra. “The end, my dear girl. The end begins.”

It took a moment for Lysandra to speak again to Gregor, her heart pounding loud in her ears. “What do you mean by Old-ling?”

“It’s one who worships the elements. It’s an old religion— older than anything except elementia itself. And by the looks of this,” he nodded toward the clearing, “Talia is working blood magic tonight.”

A shiver went down Lysandra’s spine. Blood magic.

She’d heard of such things before, but had never seen any proof until now. Gregor had always been more of a believer than she in that which was unseen and rarely spoken about—magic, witches, legends. Lysandra barely listened to the storytellers, interested more in tangible facts that whimsical tales. Now, she wished she’d paid more attention

“For what purpose?” she asked.

Just then, Talia’s eyes shot directly at the two of them, hawk­like, picking them out in the dying light of dusk.

“It’s too late,” she said loud enough for them to hear her. “I can’t summon enough magic to protect us, only to see the shadows of what is to come. I’m powerless to stop them.”

“Talia!” Lysandra’s voice was uncertain as she called out to the woman. “What are you doing? Come away from there, it’s not right.”

“You must do something for me, Lysandra Barbas.”

Lysandra glanced at Gregor, puzzled, before looking back at Talia. “What do you want me to do?”

Talia held her blood covered hands out to either side of her, her eyes growing wider and wider as if she saw something horrifying all around her. Something truly evil. “Run!”

At that moment, a huge flaming arrow arched through the air and hit Talia directly in the center of her chest. She staggered backward and fell to the ground, her clothes catching fire quicker than Lysandra could comprehend.

Lysandra gripped Gregor’s arm. “She’s dead!”

He craned his head urgently to look back in the direction the arrow had come from, then yanked Lysandra to the side to avoid another arrow aimed directly at them that instead sliced into a tree trunk. “I was afraid of this.”

“Afraid of what?” Lysandra spotted a figure fifty paces away, armed with a crossbow. “He killed her! Gregor—he killed her! Who is he?”

The figure had spotted then and had begun to give chase. Gregor swore loudly and took hold of her wrist. “Come on, we need to hurry!”

She didn’t argue. Clutching each other’s hands, they ran back to the village as fast as they could.

It was on fire.

Chaos had swiftly descended upon the village. Horrified screams of fear and pain pierced the air—screams of the dying. Scores of men in red uniforms astride horses galloped through the streets, holding torches that they used ruthlessly to set each cot­tage ablaze. Townspeople ran from their burning homes, trying to escape a fiery death. The sharp swords in other guards’ hands fell upon many, slicing through flesh and bone.

“Gregor!” Lysandra cried as they came to a wrenching halt, hid­den from the soldiers behind a stone cottage. “King Gaius—this is his doing! He’s killing everyone!”

“We told him no. He didn’t like that answer.” He turned and took her by her arms, staring fiercely into her eyes. “Lysandra. Little sister. You need to go. You need to run far away from here.”

The fire heated the air, turning dusk to nightmarish daylight all around her. “What are you talking about? I can’t go!”

“Lys—”

“I need to find our mother!” She shoved away from Gregor and raced through the village, dodging any obstacle in her path. She staggered to a halt outside of her cottage, now engulfed in flame.

Her mother’s body lay halfway across the threshold. Her father’s body was only ten paces away, lying in a pool of blood.

Before she could fully register the horror, Gregor caught up.

He grabbed her and threw her over his shoulder, running beyond the village limits before dropping her clumsily to the ground. He tossed her bow and a handful of arrows at her.

“They’re dead,” she whispered. Her heart felt like a stone that had dropped into her stomach.

“I was watching and listening as I ran. The king’s guards are gathering any survivors up and they will make them work the road.” His voice broke. “I must go back to help the others. Go— find the rebels. Do what you can to stop this from happening any­where else, Lys. Do you understand me?”

She shook her head, her eyes burning from the smoke and from hateful tears. “No, I won’t leave you! You’re all I have left!”

Gregor took her chin sharply in his hand. “Follow me,” he growled, “and I’ll put an arrow through your heart myself to save you from whatever fate now lies before our friends and neigh­bors.”

It was the last he said before he turned and ran back to the village.

And all she could do was watch him go.

 

CHAPTER 1

 

JONAS

 

AURANOS

 

When the King of Blood wanted to make a point, he made it as sharp as possible.

It was midday. With bone-chilling thuds, the executioner’s ax fell upon the necks of three accused rebels, severing their heads from their bodies. The blood dripped through the stocks and spread across the smooth stone ground before a swelling crowd a thousand deep. And all Jonas could do was watch in horror as the heads were then mounted upon tall spikes in the palace square for all to see.

Three boys who’d barely reached manhood, now dead for being menaces and troublemakers. The severed heads stared at the crowd with blank eyes and slack expressions. Crimson blood trickled down the wooden spikes while the bodies were taken away to be burned.

The king who had quickly and brutally conquered this land did not give second chances—especially not to anyone who publicly opposed him. Rebellion would be dealt with swiftly and remorse­lessly—and publicly.

With each deadly fall of the blade, a growing uneasiness slith­ered through the masses like a heavy mist they could no longer ignore. Auranos had once been free and prosperous and at peace— but now someone with a taste for blood was seated upon the throne.

The crowd stood shoulder to shoulder in the large square. Close by, Jonas could see young nobles, well dressed with tense jaws and wary expressions. Two fat, drunk men clinking their wine-filled goblets together as if toasting to a day filled with pos­sibility. An old, gray-haired woman with a deeply lined face and a fine silk dress, her gaze darting around suspiciously. All were clambering for the best spot to see the king when he entered onto the marble balcony high above. The air was scented with smoke from both chimneys and cigarillos and with the aromas of baking bread, roasting meat, and the fragrant oils and cloyingly floral per­fumes liberally used by many in lieu of bathing regularly. And the noise—a cacophony of voices, both conspiratorial whispers and deep-throated shouts—made it impossible to think clearly.

The Auranian palace glittered before them like a massive golden crown, its spires rising high up into the cloudless blue sky. It was set in the direct center of the City of Gold, a walled city two miles wide and deep. The walls themselves were heavily veined in gold, which caught the sunlight and reflected it like a pile of gold coins in the center of acres of green. Inside, cobbled roads led to villas, businesses, taverns, and shops. Only the privileged and important were able to make this city their home. But today, the gates had opened to all who wished to hear the king’s speech.

“This place is impressive.” Brion’s voice was hard to hear above the incessant chatter of the throng.

“You think?” Jonas shifted his grim attention from the impaled heads. His friend’s dark blue eyes were fixed upon the glittering palace as if it were something he could steal and sell for profit.

“I could get used to living here. A roof over my head—golden tiles at my pampered feet. All the food and drink I can swallow. Sign me up.” He looked up at the executed rebels and grimaced. “You know, providing I keep my head attached.”

The rebels who’d been executed today had been Auranian and not a part of Jonas and Brion’s group—a gathering of young, like-minded boys who wished to rise up against King Gaius in the name of Paelsia. For three weeks now, ever since the siege upon the castle, they’d made their home in the thick of the forest that separated Auranos from their much poorer homeland. The Wildlands, as this forest was called, had a fearsome reputation of being filled with dangerous criminals and wild beasts. Some su­perstitious fools also believed dark and evil demons and spirits also found home in the shadows of the thick, tall trees that blocked out all but a sliver of daylight.

Jonas could deal with criminals and beasts. And he, unlike the overwhelming majority of his countrymen, thought such legends were created only to incite fear and paranoia.

When news reached him of the executions scheduled for today, Jonas had wanted to see them for himself. He’d been certain they would strengthen his resolve, his certainty, to do anything, risk anything, to see the stolen kingdoms slip like sand from the hands of the tyrant who now ruled them.

Instead, they had filled him with dread. Each boy’s face turned into that of his dead brother Tomas’s as the ax fell and their blood flowed.

Three boys with their lives and futures spread before them—now silenced forever for speaking differently than what was permitted.

Such deaths would be considered by most to be destiny. To be fate. Paelsians, especially, believed that their futures were set and that they had to accept what they were given—be it good or bad. It only served to create a kingdom of victims afraid to stand up against opposition. A kingdom easily taken by someone happy to steal what no one would fight to keep.

No one, it would seem, except for Jonas. He didn’t believe in fate or destiny or magical answers. Destiny was not set. And if he had enough help from those who might be willing to fight at his side, he knew he could change the future.

The crowd hushed for the briefest of moments before the swelling murmur rose again. King Gaius had emerged onto the balcony—a tall and handsome man with piercing, dark eyes that scanned the crowd as if memorizing each and every face.

The sudden need to hide gripped Jonas, as if he might be picked out from the multitude, but he forced himself to remain calm. While he had once met the king face-to-face, he would not be dis­covered here today. His gray cloak hid his identity well enough; it was a similar cloak to the one worn by half the men here, includ­ing Brion.

Next upon the balcony strode Magnus, crown prince to King Gaius’s throne. Magnus was a near mirror image of his father, but younger, of course, and with a scar that sliced across his cheek, visible even from a distance.

Jonas had briefly crossed paths with the Limerian prince on the battlefield; he did not forget that Magnus had stopped a blade from finding his heart. But now they were no longer fighting for the same side. They were enemies.

The regal-looking Queen Althea joined her son to the left of the king, her dark hair streaked with silver. It was the first time Jonas had seen the woman, but he knew who she was. She cast a haughty gaze down at the crowd.

Brion grabbed hold of Jonas’s arm and Jonas glanced at his friend with mild amusement. “Did you want to hold hands? I don’t think that’s—”

“Just remain calm,” Brion told him, not cracking a smile. “If you lose your head you might, uh, lose your head. Got it?”

The next moment Jonas understood why. Lord Aron Lagaris and Princess Cleiona Bellos, the youngest daughter of the former king, joined the others on the balcony. The crowd cheered at the sight of them.

Princess Cleo’s long, pale, golden hair caught the sunlight. Once, Jonas had hated that hair and had fantasies of ripping it out by its roots. To him, it had symbolized the richness of Auranos, only an arm’s reach away from the desperate poverty of Paelsia.

Now he knew nothing had ever been as simple as he’d thought.

“She’s their prisoner,” Jonas breathed.

“Doesn’t look like a prisoner to me,” Brion said. “But, sure, if you say so.”

“The Damoras killed her father, stole her throne. She hates them—how can she not?”

“And now she’s standing dutifully next to her betrothed.”

Her betrothed. Jonas’s gaze slid to Aron and narrowed.

His brother’s murderer now stood above them all in a place of honor next to his future bride and the conquering king.

“You all right?” Brion asked warily.

Jonas couldn’t answer. He was busy envisioning himself scal­ing the wall, jumping onto the balcony, and tearing Aron apart with his bare hands. He’d once imagined many different methods to exact death on this preening waste of life, but he’d thought he’d set aside his desire for vengeance in favor of the loftier goals of a rebel.

He’d been wrong.

“I want him dead,” Jonas gritted out.

“I know.” Brion had been there when Jonas grieved for Tomas, when he’d raged about getting his revenge. “And you will see that day. But it’s not going to be today.”

Slowly, very slowly, Jonas reined in his mindless rage. His mus­cles relaxed and Brion finally loosened his hold on him.

“Better?” Brion asked.

Jonas hadn’t torn his gaze from the hateful, arrogant-look­ing boy on the balcony. “I won’t be better until I can watch him bleed.”

“It’s a goal,” Brion allowed. “A worthy one. But like I said, it won’t be today. Calm down.”

Jonas let out a breath. “Issuing orders now, are we?”

“As second in command of our little band of merry rebels, if my captain suddenly goes crazy, I’ll take over. It kind of comes with the job.”

“Good to know you’re taking this seriously.”

“First time for everything.”

On the balcony, Aron drew closer to Cleo, reaching down to take her hand in his. She turned her beautiful face to look up at him, but no smile touched her lips.

“She could do better than that jackass,” Jonas mumbled.

“What?”

“Never mind.”

The crowd had grown even more massive in minutes, and the sweltering heat of the day beat down on them. Sweat dripped down Jonas’s brow and he wiped his forehead with the sleeve of his cloak.

Finally, King Gaius stepped forward and raised his hand. Silence fell.

“It is my great honor,” the king said, his voice strong enough to carry easily over the crowd, “to stand here before you not only as the king of Limeros, but now of Paelsia and Auranos as well. There was once a time when the three kingdoms of Mytica were united as one—strong, prosperous, and at peace. And now, at long last, we shall have that again.”

Those in the crowd mumbled quietly to each other, the majority of faces set with lines of distrust, of fear, despite the king’s smooth words. The King of Blood’s reputation preceded him. From whis­pered conversations in the crowd before and after the executions, Jonas heard many say that their opinions could be swayed today to believe the king was a friend or a foe. Many doubted that the dead rebels had been right in whatever anarchy they’d attempted; that perhaps such rebels only made conditions worse for everyone by angering the king.

Such ignorance—such readiness to take the easy path, to bow before their conqueror by believing whatever words left his mouth. It sickened Jonas to his very core.

But even he had to admit the king was a master speechmaker, every word seemingly coated in gold, giving hope to the hopeless.

“I have chosen to live here with my family in this beautiful palace for a time, at least until the transition is complete. While it is much different from our beloved home in Limeros, we want to get to know you all much better, and we feel that it is our welcome duty to help guide all our citizens into this new era.”

“Also helps that Limeros is frozen over like a witch’s heart,” Brion sneered, despite some surrounding murmurs of approval from others. “He makes it sound like a hardship to live somewhere that’s not crusted with snow and ice.”

“Today I have an important announcement to make that will benefit one and all,” the king said. “On my command, construction has already begun on a great road that will unite our three lands as one.”

Jonas frowned. A road?

“The Imperial Road will commence at the Temple of Cleiona a few hours’ ride from this very city, cutting through the Wild­lands to enter Paelsia, where it will travel east into the Forbidden Mountains, and then north across the border to Limeros, to end at the Temple of Valoria. Several teams are already in place, working night and day to ensure the road is completed as quickly as pos­sible.”

“Into the Forbidden Mountains?” Jonas whispered. “What good is a road that leads where no one wants to go?”

What was the king up to?

A flash of gold in the sky caught his attention and he looked up to see two hawks circling high above the crowd.

Even the Watchers are interested.

Such ridiculous thoughts he’d hold onto rather than share with Brion. The stories of immortals who entered the mortal realm in the form of hawks were just that: stories told to children before bedtime. His own mother told him such tales.

The king’s lips stretched back from his teeth in a smile that would look warm and genuine to all who did not know the dark­ness behind it. “I hope you are as pleased as I am about this road. I know it’s been a difficult time for everyone and I take no pleasure in the blood spilled in the process.”

There was a swelling of displeased and uneasy murmurs in the crowd, but not nearly as many as there should have been.

It’s working, Jonas thought. He’s fooling those who wish to be fooled.

“Yeah, right,” Brion said. “He loved it. He would have bathed in all that blood if he’d had half a chance.”

Jonas couldn’t agree more.

King Gaius continued, “As you all can see here today, your Princess Cleiona is very well. She was not exiled or imprisoned as the daughter of my enemy. Why would she be? After all the pain and grief she’s bravely endured, I have welcomed her into my new home with open arms.”

He made it sound as if he’d given her a choice, but Jonas didn’t believe it.

“My next announcement today concerns your princess.” King Gaius stretched out his hand. “Come here, my dear.”

Cleo cast a wary glance at Aron before turning toward the king. She hesitated only briefly before crossing the balcony to stand at the king’s side. Her face was unreadable, her lips tight but her head held high. A sapphire necklace sparkled at her throat and jewels also dotted her hair to match her dark blue gown. Her skin glowed radiantly under the sunshine. Excited murmurs now rose through the crowd about the daughter of their former king.

“Princess Cleiona has suffered great personal loss and heart­break. She is truly one of the bravest girls I’ve ever met and I see why those in Auranos love her as much as they do.” The king’s voice and expression both seemed to hold affection as he gazed at the princess. “It is well known to all that she is betrothed to Lord Aron Lagaris, a fine young man who defended the princess in Paelsia against a savage boy who meant her great harm.”

Brion grabbed Jonas’s arm again and dug in tightly with his fingertips. Jonas hadn’t realized he’d taken a step forward, his fists

clenched at his sides, prompted by the lies about his brother.

“Stay calm,” Brion growled.

“I’m trying.”

“Try harder.”

The king drew Cleo even closer to his side. “This is how Lord Aron proved his worth to the late King Corvin and was given the princess’s hand and the promise of a wedding I know Auranians have been greatly anticipating.”

A smile played at Aron’s lips and a look of triumph lit his eyes.

It suddenly dawned on Jonas what this was leading to. The king was about to announce Aron and Cleo’s wedding date.

King Gaius nodded in the boy’s direction. “There is no ques­tion in my mind that Lord Aron would make a fine match for the princess.”

Jonas silently seethed that this bastard got to preen and glow in the light of his wrongdoings—to be rewarded for them. Jonas’s hatred was a palpable thing, an ugly monster that threatened to renew his obsession with vengeance and blind him to everything else.

The king continued, “Yesterday I came to an important decision . . .”

The crowd went completely silent, leaning forward collectively in anticipation of what he would say next. Jonas couldn’t look away from Lord Aron and his bright and cheerfully vile expression.

“I hereby end the betrothal between Lord Aron and Princess Cleiona,” King Gaius said.

A gasp went through the crowd and Aron’s gleeful expression froze.

“Princess Cleiona represents golden Auranos in all ways,” the king said. “She is the daughter of you all and I know she is in your hearts. I see this as an opportunity to unite Mytica even more than it already is. Therefore, today I am pleased to announce the betrothal and upcoming marriage forty days from today between my son, Prince Magnus Lukas Damora, and Auranos’s beloved Princess Cleiona Aurora Bellos.”

King Gaius took Cleo’s hand and Magnus’s hand and joined them. “Immediately following the wedding, there will be a wed­ding tour—Magnus and Cleiona will travel across Mytica as a symbol of unity and the bright future we all share together.”

There was a moment of silence before the majority of the crowd began to cheer with approval—some nervously, some with full appreciation of such a proposed union and tour.

“Huh,” Brion said. “I wasn’t expecting that at all.”

Jonas stared up at the balcony for several stunned moments. “I’ve heard enough. We need to get out of here. Now.”

“Lead the way.”

Jonas turned from his view of blank-faced Cleo and began threading his way through the madness. It was the news of the Imperial Road he was most concerned with—what did it mean? What were the king’s true intentions? The fate of a princess now engaged to her mortal enemy should be the very least of his con­cerns.

Still, Cleo’s new betrothal bothered him deeply.

 

CHAPTER 2

 

CLEO

 

AURANOS

 

Today I am pleased to announce the betrothal and upcoming marriage between my son, Prince Magnus Lukas Damora, and Auranos’s beloved Princess Cleiona Aurora Bellos.”

Cleo’s breath left her in a rush.

The world blurred before her eyes and there was a ringing in her ears. She felt a tug as the king pulled her closer, and the next moment something warm and dry grasped her hand. She looked up to see Magnus next to her, his face as impassive and unread­able as always. His black hair hung low over his forehead, framing his dark brown eyes as he focused on the crowd—a crowd that cheered and yelled as if this stomach-churning horror was won­derful news.

Finally, after what felt like an eternity, Magnus dropped her hand and turned toward his mother, who had taken hold of his arm.

Aron grabbed her wrist and drew her back into the castle past the others on the balcony. His breath, as always, smelled like wine

and acrid cigarillo smoke.

“What just happened out there?” he hissed.

“I—I’m not sure.”

Aron’s face was as red as a beet. “Did you know this would hap­pen? That he planned to break our engagement?”

“No, of course not! I had no idea until . . . until—” Oh goddess, what just happened? It couldn’t be true!

“He can’t change what is meant to be.” Aron was so livid he was literally spitting. “We’re supposed to be together, no one else! It was decided!”

“Of course we are,” she managed to say, much more demurely than she felt. She had no deep affection for handsome but vapid Lord Aron, but she would rather spend a thousand years in his constant company than an hour alone with Magnus.

The dark prince had killed the first boy she’d ever loved— stabbed him through the back with a sword while he’d been trying to protect her. The memory of Theon’s death made a fresh swell of grief rise within her, hot and thick enough to choke on.

Imprisoned for weeks at the palace after her capture, Cleo had experienced the very depths of despair and grief—for Theon, for her father, for her sister, Emilia. All ripped away from her. Such sorrow had carved a cold, bottomless hole in her chest that could never be filled. She could lose herself in such darkness if she wasn’t careful.

“I can fix this.” The scent of wine on Aron’s breath was even greater than normal today. His gaze moved toward the king as he exited the balcony. “Your majesty, it’s imperative that I speak with you immediately!”

The king wore a bright smile on his face to match the golden, ruby-encrusted crown Cleo’s fingers itched to tear from his head.

That crown and everything it represented belonged to her father.

It belonged to her.

“Of course I’d be happy to speak with you on any matter, Lord Aron.”

“In private, your majesty.”

King Gaius raised an eyebrow, dark humor lighting his face as he gazed at the sputtering young lord before him. “If you insist.”

The two departed without delay, leaving Cleo standing there alone, supporting herself against the cool, smooth wall as she tried to gather her breath and her thoughts—both racing.

Magnus was next to leave the balcony. He glanced at her, his face like stone. “Seems that my father had a little surprise in store for us today, didn’t he?”

The prince was both coldly handsome, like his snake of a fa­ther, and imposingly tall. Cleo had seen many girls look at him in the last three weeks, their eyes sparkling with interest. The only thing that marred his good looks was a vicious scar on his right cheek, an arc that went from the top of his ear to the corner of his mouth.

The taste of bile rose in her throat at the sight of him. “Don’t try to make me believe you knew nothing about this.”

“I’m not trying to make you believe anything, princess. Frankly, I don’t particularly care what you believe about me or anyone else.”

“It won’t happen.” Her voice was quiet but strong. “I will never marry you.”

He lifted a shoulder in a lazy shrug. “Explain that to my fa­ther.”

“I’m explaining it to you.”

“My father makes the decisions and he likes them followed without argument. You’re more than welcome to fight him on this.”

Her outrage had quickly dissipated and she was left only with disbelief. “This has to be a dream. No, not a dream. A nightmare—a horrible nightmare.”

Magnus’s lips thinned. “For us both, princess. Make no mistake about that.”

Queen Althea approached and clasped Cleo’s hands. Hers were dry and warm, just like her son’s. It seemed as if she were attempt­ing a smile, but the expression looked as false on her finely lined face as feathers on a goat.

“My dear, it’s my honor to welcome you into our family. One day I’m sure you’ll make an extraordinary queen.”

Cleo bit her tongue nearly hard enough to draw blood in order to keep from blurting out that she already was queen. Only the King of Blood stood in the way of her rightful title.

“We will have a great deal to do to plan a wedding befitting my son,” the queen continued, as if she hadn’t noticed Cleo’s lack of reply. “And we’ll need to do it quickly given the swiftness of the wedding date. I have heard of an exemplary dressmaker in Hawk’s Brow who will be perfect to create your gown. We’ll make a trip there soon. It will be good for the people to see their beloved golden princess walking among them once again. It will raise spir­its throughout the entire kingdom.”

Cleo couldn’t find enough words to speak, so she didn’t even try. She nodded and looked down, eyes lowered to conceal her rage. Through her lashes she saw Queen Althea glance at Magnus, as if delivering some sort of message through her pale blue eyes, before she nodded at them both and moved away down the hall.

“My mother knows a great deal about fashion and beauty,” Magnus said flippantly. “It’s her passion, one she always wished my sister shared.”

His sister—Princess Lucia. For three weeks now the Limerian princess lay comatose after being injured in the explosion that tore open the entrance to the palace and allowed King Gaius and his army their violent victory.

Cleo had noticed that the mention of his ailing sister was the only thing that ever seemed to bring a flicker of emotion to Mag­nus’s steely gaze. Many healers had come to see Lucia, some of the greatest and most accomplished in the land. No one could deter­mine what was wrong with her or find any wound she’d sustained to explain her condition.

Cleo had suggested that her own dear friend, her sister’s for­mer lady-in-waiting, Mira Cassian, be assigned as Lucia’s attendant in hopes that the king would find Mira too useful to demote to scullery maid. Thankfully, it had worked. Mira told Cleo the prin­cess would rise up from her slumber as if in a trance, enough to consume food specially blended smooth to ensure her ongoing survival, but she was never truly conscious. It was a true mystery what had befallen the princess of Limeros.

“Let me make this very clear, Prince Magnus,” Cleo said evenly, fighting to keep the tremor from her voice. “I will never be forced to marry someone I hate. And I hate you.”

He regarded her for a moment, as if she was something he could easily crush beneath the sole of his boot if he chose to. “Be very careful how you speak to me, Princess Cleiona.”

She raised her chin. “Or what will you do? Will you run a sword through me when I turn my back on you as you did with Theon, you spineless coward?”

In an instant, he grabbed hold of her arm tight enough to make her shriek and pushed her up against the stone wall. Anger flashed through his gaze, and something unexpected—something like pain.

“Never, ever call me a coward again if you value your life, prin­cess. Fair warning.”

His current fiery expression was so different from his usual look of ice that it confused her. Was he furious or wounded by her words? Could he be both?

“Release me,” she hissed.

His eyes—cold, like black diamonds, soulless, evil—pinned her for another moment before he let go of her so abruptly that she slumped down against the wall.

A guard wearing the all-too-familiar red Limerian uniform approached. “Prince Magnus, your father summons both you and the princess to his throne room immediately.”

Magnus finally tore his gaze from hers to cast a dark look toward the guard. “Very well.”

Cleo’s stomach tied itself into knots. Could Aron have been successful in his argument against this new betrothal?

In the throne room, King Gaius had draped himself upon her father’s golden chair. Sprawled on the floor at his feet were two of his horrible dogs—large, slobbering wolfhounds that growled whenever she came even a step too close. They always seemed more like demons from the darklands to Cleo than dogs.

A sudden memory from her childhood flashed before her eyes—her father seated upon this very throne, his arms stretched out to her when she’d successfully slipped away from her strict nursemaid to run directly toward him and crawl up on his lap.

She prayed that her eyes didn’t reveal how very much she wanted to avenge her father’s death. On the surface, she was just a girl not yet out of her teens, small in stature and slight in fig­ure, born and bred into a spoiled life of excess and luxury. At first glance, no one would ever perceive her as a threat.

But she knew that she was. Her heart now beat for one rea­son, the only thing that helped staunch the flow of incapacitating grief.

Vengeance.

Cleo knew she continued to live and breathe because King Gaius saw value in keeping the Auranian princess alive and well. She was required to represent what remained of the royal Bellos family line in all matters when it came to the king’s agenda and his power over the Auranian people. She was a sparrow in a gilded cage, taken out to show others how pretty and how well-behaved she was when needed.

So she would be pretty and well-behaved. For now.

But not forever.

“My dear girl,” the king said as she and Magnus approached. “You grow lovelier with each day that passes. It’s quite remark­able.”

And you grow more hateful and disgusting.

“Thank you, your majesty,” she said as sweetly as she could. The king was a snake in the skin of a man and she would never underestimate the strength of his bite.

“Were you pleased by my surprise announcement today?” he asked.

She fought to keep her controlled expression from slipping. “I’m very grateful that you’ve allowed me such an honorable place in your kingdom.”

His smile stretched, but it was one that never met his dark brown eyes—the exact same shade as Magnus’s. “And you, my son.

I’m sure you were caught unawares as well. It was a last-minute decision, to tell you the truth. I thought it would please the peo­ple, and I was right. It did.”

“As always,” Magnus replied, “I defer to your judgment.”

The sound of the prince’s voice, low and even and so much like his father’s, set Cleo’s nerves on edge more than they already were.

“Lord Aron wanted to speak with me in private,” the king said.

Private? A half dozen guards stood around the edges of the room, with two on the outer side of the archway leading into the throne room. Next to the king on a smaller throne sat Queen Althea, her gaze straight forward, her lips set into a measured ex­pression that betrayed no emotion at all. She might as well have been sleeping with her eyes wide open.

Aron stood to the right, his arms crossed over his chest.

“Yes,” he spoke up, his tone arrogant, “I explained to the king that this is an unacceptable change. That the people were look­ing very much forward to our wedding. Mother has already taken great strides in planning our ceremony. I wanted to talk to the king and have him reconsider his decision today. There are plenty of beautiful, titled girls in Auranos that would be much better suited to Prince Magnus.”

King Gaius cocked his head, regarding Aron with barely re­strained amusement, as if he were a trained monkey. “Quite. And how do you feel about this abrupt change, Princess Cleiona?”

Her mouth had gone dry after hearing Aron’s little rant, which sounded like a child stomping his foot when his toys were taken from him at bedtime. Aron was so accustomed to getting his way that it had completely disrupted his common sense. However, she couldn’t completely blame him for trying to salvage what little power he had in the palace. But if he were smart—and she already knew brains were never Aron’s greatest asset—he would see that Cleo no longer wielded any power here, had no influence apart from being a figurehead meant to keep the Auranian people in line and gain their trust.

She forced a smile. “Of course, I certainly bow to whatever de­cision the wise king makes on my behalf.” The falseness of the words twisted in her throat. “It’s just . . . Aron might have some weight to his argument. The kingdom was rather smitten by the thought of us together after Aron’s very . . . well, fierce protection of me that day in the Paelsian market.”

She inwardly shuddered at the memory of Tomas Agallon’s murder, an act that had nothing to do with protection and more to do with Aron overreacting to a personal insult.

“I assure you, I did consider this.” The king’s stolen crown caught the torchlight and glinted. “Lord Aron is wholly embraced by the Auranian people, without question. It’s one of the reasons I’ve just informed him of my decision to bestow the title of king­sliege upon him.”

Aron bowed deeply. “And I am very pleased by this honor, your majesty.”

“Kingsliege,” Magnus mused from beside her, loud enough for only Cleo to hear. “Such a lofty title for one who’s never even been in battle. How deeply pathetic.”

King Gaius studied Cleo closely. “Do you wish to remain en­gaged to Lord Aron?”

She wanted to answer immediately and in the affirmative— Aron, despite his shortcomings, was a more palatable prospect than Magnus—but found herself pausing to think it through. She wasn’t simple-minded enough to believe such “wishes” would be granted. After announcing the wedding date to the citizens out­side, there was absolutely no chance the king would renege on his proclamation. All agreeing with Aron would do was make her look like a fool—an ungrateful and disrespectful fool.

Cleo lowered her head and studied the dogs by the king’s feet as if too shy to meet his gaze directly. “Your majesty, I wish only to please you.”

He gave her a shallow nod, as if it was the correct response. “Then I appreciate your allowing me to make this choice on your behalf.”

Aron let out a grunt of disgust. “Oh, come on, Cleo!”

She gave him a wary look, silently cautioning him to be care­ful what he said. “Aron, you must see that the king knows what is right.”

“But we were meant to be together,” he whined.

“You will find another bride, Aron. But I’m afraid it can’t be me.”

Anger lit his gaze and he spun to face Prince Magnus. “It’s very important for a bride to be pure on her wedding night. Is this not so?”

Cleo’s cheeks began to flame. “Aron!”

He gestured wildly at her. “Cleo already gave her chastity to me. We’ve shared flesh. She is not pure!”

A deadly silence fell.

Cleo grappled to hold onto her self control, but felt it slipping from her grasp. Here it was, her horrible secret kept hidden from the world—tossed out like a landed fish, flopping and slimy for all to see.

Foggy memories of a party, too much wine, a spoiled princess who enjoyed forgetting herself and having fun—and then Aron, a handsome and popular lord all her friends desired, who wanted to be with her more than anyone else. Once she sobered, she realized it was a horrific mistake to sacrifice her virginity to such a vain and shallow boy.

To be viewed now as a fallen princess in a land that valued purity as a bride’s most important virtue could be her ultimate downfall. She would lose what little power she had left in the palace.

Only one choice could help her salvage this situation.

“Oh, Aron,” she said as dryly as she could manage. “I almost feel sorry for you that you must lie to such extremes today. Can’t you simply accept defeat gracefully?”

His eyes widened so much that she could see the whites all around his irises. “Lie? It’s not a lie! You wanted me as I wanted you! You must admit that this is the truth and be grateful that I even still want you!”

King Gaius leaned back in the throne and regarded them, his fingers templed. “Seems that we have a disagreement here. The truth is very important to me, the most important thing of all. Lies are intolerable. Princess, are you saying that this boy would lie about something so important?”

“Yes,” she said without hesitation. She gazed at the king, clear-eyed. “He lies.”

“Cleo!” Aron sputtered, outraged.

“Then,” the king said, “I have no choice but to believe you.” He flicked a glance at Magnus. “Tell me, my son, what do we usually do in Limeros with those who would lie to a king?”

Magnus’s face was unreadable as always, his arms crossed over his chest. “The penalty for lying is to have one’s tongue cut out.”

The king nodded, then gestured toward the guards.

Two guards stepped forward and took hold of Aron’s arms tightly. He gasped, his face wild with fear.

“Your majesty, you can’t do this! I’m not lying! I would never lie to you—I obey your command in all ways. You are my king now! Please, you must believe me!”

The king said nothing, but nodded at another guard who ap­proached, drawing a dagger from the sheath at his waist.

Aron was forced to his knees. A fourth guard took hold of his jaw, grabbed a handful of his hair, and wrenched open Aron’s mouth. The guard used a metal clamp to pull his tongue out from between his lips and Aron let out a strangled cry of horror.

Cleo watched all of this unfold in cold shock.

She hated Aron. She hated that she’d allowed herself to share flesh with him—taking solace only in the fact that she’d been too drunk to remember much about the act itself. She hated that he’d killed Tomas Agallon without a moment’s remorse. She hated that her father had betrothed her to him. She hated that Aron was so thoughtless that he didn’t understand why any of this was so vile to her.

He deserved to be punished in so many ways. He did.

But not for this.

He’d told the king the truth.

However . . . to admit she was the one who’d lied . . .

Oh, Goddess Cleiona. . . Cleo hardly ever prayed to her namesake, the Auranian deity, but she’d certainly make an exception today. Please, please help me.

She could let this happen without protest. It could be her secret until the day she died. No one would ever believe Aron after this punishment.

Her fists were clenched so tight her fingernails bit painfully into her palms as she watched the dagger move toward Aron’s mouth. He let out a terror-filled screech.

“Stop!” Cleo shouted, the word escaping her before she even realized it. She trembled from head to foot, her heart pounding so hard that it rocked her entire frame. “Don’t do this! Please, don’t! He didn’t lie. He—he was telling the truth! We were together one single time. I did give my chastity to him knowingly and without reservation!”

The guard holding the dagger froze, the edge of the blade pressed to Aron’s pink, squirming tongue.

“Well, now,” King Gaius said softly, but Cleo had never heard more menace in anyone’s voice. “That certainly changes things, doesn’t it?”

Most helpful customer reviews

0 of 0 people found the following review helpful.
A stunning sequel to an explosive fantasy series; it keeps getting better!
By Cody @ Literary-ly Obsessed
This was epic, simple as that. Yet again I want to shake myself, why didn’t I read this series sooner? It’s utterly amazing and is quickly become a favourite, so much action, adventure, fantasy, magic and characters that I cannot stop talking about, a few poor people can attest to that!

“It didn’t really matter who someone was, princess, peasant, rebel, or just a boy or a girl.”

Princess Cleo is now a prisoner of war; she continues to be controlled by the Blood King and with no other options she must be his puppet. She's able to come up with great schemes and escape plans but she’s forever brought back to square one, outmatched and outwitted by the tyrannous King Gaius. However the end of this book has provided a little light at the end of the tunnel for Cleo so I only hope that she takes this chance and gets her much-needed and deserved revenge.

“A gown does not make a bride, just as a few empty threats do not make a rebel.”

Rebel leader Jonas got a load more page space, which I’m sure, produced many a girl including myself to squeal with excitement. After the events of Falling Kingdom’s Jonas is left with little to nothing, his people are being enslaved left, right and center and the Blood King now reigns over the whole of Mytica. He knows he must stop this but with few rebels, his brother’s murderer still going unpunished and little hope left, how much damage can a few boys do? With the weight of the world on his shoulder’s Jonas grows up, makes mistakes but these ultimately make him stronger, I cannot wait to see what becomes of him in Gathering Darkness.

“There was no hope in death, only an end.”

Magnus is still tormented over his sister Lucia’s rejection but what started as a Prince being betrayed, heartbroken and manipulated by his father gave way to so much more. With his eyes finally open as to how malicious his father actually is, Magnus forges his own plans and he may just be the dark hero who will take this series by storm. Magnus is such a complex character; I was fully prepared to write him off as a classic villain in Falling Kingdom's but my opinion of him changed throughout the book and before long his chapter’s became my favorite. How did this happen? What is happening!

“Darkness will always try to extinguish the light. The light will always try to repress the darkness.”

Lucia makes little appearance in this book, which was completely fine by me. She has no control over her magic and I didn’t want to read about her eternal struggle mastering her new gifts. However we didn’t get this at all, instead her character is becoming much more intertwined with another’s fate. Lucia’s chapters were short and sweet and they slowly made me want more of them, Gathering Darkness looks like it's going to feature a lot more Lucia and I’m ready for them.

This book slowly introduced new characters and a whole other world but it was done perfectly, you are given time to adapt to this new dynamic and to decide if the character in question is good or evil… some remained a question mark for me but I loved the mystery. Now for a High Fantasy series that has little romance in it, it sure does take advantage of those small, seemly insignificant scenes. My god, I spend the better part of a day on the edge of my seat counting down the endless chapters until I could find out what exactly what going on between characters and what is brewing between others. Some of my ships seem to be sinking but I don’t seem to care because the potential one of the horizon is so tempting? Prepare for a lot of change in this book, nothing is at it seems!

“She gripped the front of his shirt. It was all too much--she wasn't sure if she was pushing him away or pulling him closer. Much like diving into deep water, she had no idea which way would find her air to breathe or which way would drag her down deeper into the depths where she would surely drown. And for a moment, just a moment, she found it didn't seem to matter.”

I have a really big feeling that Rebel Spring is yet again another stepping stone to a much bigger plot and world in the Falling Kingdom’s series and I can’t wait to find out what Rhodes has in store. I loved this book so much more than Falling Kingdom’s and as I’ve said before, this series is only just getting started so I’m now staring at my copy of Gathering Darkness because I just had to buy it the minute I finished this. So much revenge to come, ships to sail, blood to spill and magic to be unleashed, what am I waiting for?

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0 of 0 people found the following review helpful.
Magical. In every way.
By Sarah Stephens
This book was so captivating. It drew me in closer with every page. The world around me fell apart and the only thing that I could imagine was the events taking place in the book.
Heartbreak is something you must prepare yourself for with these books, no character is safe. With that being said, you'd never imagine the countless times I've gotten attached to a lovely character, one too good to die, and then later read every heart-clutching, year filled moment of their undeserved death.
It's a book that is very well written. There's not a part in the book that makes me feel as though I had to read it twice to grasp the wording. Good writing is a quality I admire in a book, something that will also keep me turning each page, alongside the story. These books have both, a well written story and a very good storyline.
That's my opinion, even if no one asked for it.
As Magnus once said, "I've found rumors have much in common with feathers. It's rare that either holds much weight."

1 of 1 people found the following review helpful.
Your Heart Will Break A Thousand Times Over...
By Mother/Gamer/Writer
This Review Contains Slight Spoilers…

FML…I tried, really I did, to hold off on reading Rebel Spring until Gathering Darkness was available. Never has a series left me in such distress, with major anxiety, and a severe book hangover. Like Shatter Me and Throne of Glass, the Falling Kingdoms Series is utterly addictive. Morgan Rhodes writing is lyrically seductive. I could bathe in her words, fall asleep in her world. *sigh* Now that I have to wait for Gathering Darkness my body is going through withdrawal. Someone should have warned me about this series! Since no one did, I’m warning you dear reader…only proceed if you can handle an extraordinary epic fantasy. Because if you’re anything like me waiting for the next book in the series will be agonizing. The horror…

For fans of Game of Thrones who like political scandals, lots of betrayal, pandemonium, death, and different forms of love (even in places you least expect it), the Falling Kingdoms series is for you. Picking up where Falling Kingdoms left off Auranos, Limeros, and Paelsia are in chaos and dealing with the aftermath of King Gaius, the Blood King’s, takeover. Gaius manipulated his way to the throne and now has control over all the kingdoms and has even combined them into one, Mytica. But not all is peaches and roses for the king, there are forces greater than he could even imagine waiting to take him down.

Cleo, heir to the Auranos throne and last surviving member of the Bellos family, is at the mercy of King Gaius and forced to marry his son, a coldhearted prince Mangus. To them, this is a match made in hell. Both carry torches for someone else and cannot stand to be around each other for more than a solid minute. I loved watching their story develop. As a reader I knew if they could just move past their difference they would be an unstoppable force. So many times I wanted to go through my headphones and shake some sense into them. Even though I knew how I wanted their story to unfold, Rhodes spun it into a totally different direction and made me crave something else! I love an author who can make me root for one thing and then turn around and make me root for the total opposite! Never have I been so confused…

There are several other characters of note in this series: Jonas, Lucia, The Watches, Nic, Aron, and a few other minor characters. Lucia, the *spoiler* adopted sister of prince Magnus, remains comatose after using the fire magic at the end of Falling Kingdoms that essentially gave her father the victory of Auranos. After she wakes, I enjoyed watching her interact with Cleo. Both girls have sharp tongues and aren’t afraid to match insult for insult while keeping themselves as poise and princess like as possible. Cleo is by far my favorite character. Her bold cleverness never ceases to amaze me. Just check out how she answers the infamous King of Blood…

King Gaius - “I’m watching you princess.”
Cleo - “As I am watching you.”

LOL who says that to someone who just murdered your family and forced you into marriage? Cleo rocks so hard. She’s fierce and doesn’t hide who she is or what she believes. Unlike Lucia who seems more fragile and easily influenced Cleo knows when to speak, when to be illusive, and when to assert her authority. Love her to pieces I tell ya…little bitty bits and pieces!

Overall, I could rant and rave over Rebel Spring all day and still not convey how awesome the novel is and worthy of a spot on every book nerds bookshelf. If you haven’t, you must read Falling Kingdoms first (it’s da bomb folks) and then immediately pick up this one. I highly recommend the series to anyone looking for a vast world with a legion of characters and stellar mythology that will leave you gasping, aching, out of breath, sometimes without the ability to speak, and so in love with a story your heart may break a thousand times over.

Originally Reviewed At: Mother/Gamer/Writer
Rating: 5 Controllers, Crown Rating/Royalty Award
Reviewer: Me

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