Kamis, 30 Oktober 2014

[B650.Ebook] Fee Download 1000 Record Covers, by Michael Ochs

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1000 Record Covers, by Michael Ochs

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1000 Record Covers, by Michael Ochs

Jacket madness:�A splendid collection of album art from the 1960s to the 90s � Record covers are a sign of our life and times. Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for—Andy Warhol's covers, for example, including the banana he designed for The Velvet Underground.�

This edition of�Record Covers�presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs’s enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form. � About the Series:
Bibliotheca Universalis�— Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!
Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing.�Bibliotheca Universalis�brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.
Bookworm’s delight — never bore, always excite! � Text in English, French, and German

  • Sales Rank: #11312 in Books
  • Published on: 2014-05-15
  • Original language: English, French, German
  • Number of items: 1
  • Dimensions: 2.00" h x 5.80" w x 7.90" l, 3.04 pounds
  • Binding: Hardcover
  • 576 pages

About the Author
Michael Ochs developed an addiction to rock and roll in the early fifties. To feed his habit, Ochs headed the publicity departments of Columbia, Shelter, and ABC Records in the 60s and 70s. He has also been a disc jockey, taught a rock-history course for UCLA and written for such magazines as Rock, Melody Maker, Cashbox, and Crawdaddy. Michael Ochs established the Michael Ochs Archives in the mid-70s. The archives currently house millions of photographs and over 100,000 albums and singles.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Nice collection of cover art.
By Rob Walters
A really great book, took me back to the days of my vinyl collection that I foolishly sold years ago. I really appreciated the grouping of the albums by themes that showed the development of art style over the years. I do wish the format were a bit larger though, a part of the great appeal of album art was that great 12" size. This would do very well as a coffee table art book size. T

1 of 1 people found the following review helpful.
Great conversation starter
By J. Beckner
Bought this as a coffee table book and it is exactly what you would expect. The records are ordered in different categories and often there are neat backstories on the album or the artwork inside. It is a great conversation piece and always one of the first books people pick up to start looking through.

0 of 0 people found the following review helpful.
Pop Culture 101
By M Roy Clark
Arrived in pristine condition. A wonderful coffee table book, but the face of it is smaller than 6"x9", so don't order it expecting a giant Taschen tome.

Perfect for the music nerd or pop culture obsessive in your life.

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Minggu, 26 Oktober 2014

[U750.Ebook] Ebook Giants, Monsters, and Dragons: An Encyclopedia of Folklore, Legend, and Myth, by Carol Rose

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Giants, Monsters, and Dragons: An Encyclopedia of Folklore, Legend, and Myth, by Carol Rose

A richly illustrated encyclopedia that describes individual beings in their cultural context, grouping them across cultures and explaining common mythological themes.


• Provides an extensive bibliography

• Includes useful appendixes that encourage further learning for students at all levels

• Fully illustrated

  • Sales Rank: #2288316 in Books
  • Brand: Brand: ABC-CLIO
  • Published on: 2000-06-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x 1.00" w x 8.50" l, 2.98 pounds
  • Binding: Hardcover
  • 428 pages
Features
  • Used Book in Good Condition

From Library Journal
There are three criteria for inclusion in this near-comprehensive reference work on a relatively narrow aspect of folklore: the creature cannot be divine, it must be a supernatural being from mythology, legend, folklore, or classic literature, and it may be a cryptozoological or symbolic being, such as a heraldic beast. Although various other sources treat giants, monsters, and mystery animals, none seems to cover them all at once, and this work's inclusion of the symbolic element appears to be unique. Entries give basic descriptions of each creature as well as its activities, region, culture, and historical period, and each entry is both cross-referenced and referenced to a selected bibliography. Appendixes categorize beings under country or region as well as such headings as "Beings Associated with Catastrophe." While works as modern as J.R.R. Tolkien's are cited, the Harry Potter series is not, though several monsters described here are present in J.K. Rowling's books. Perhaps Rose (Spirits, Fairies, Gnomes, and Goblins) does not consider Potter classic literature, but for a current reference work, this may soon prove a serious oversight. Recommended for public and school libraries where similar references are used.DKatherine K. Kaigler-Koenig, Ellis Sch., Pittsburgh, PA
Copyright 2000 Reed Business Information, Inc.

Review
"Recommended for public and school libraries where similar references are used." - Library Journal

"A place to begin comparative studies that require basic identification, definition, and location." - Choice

"… The coverage is truly worldwide, from the North American Sasquatch to the Australian serpent Aranda that drags its victims into the billabongs … To assist the researcher, every entry cites reference tools and anthologies that include that particular creature … Highly recommended for public and academic libraries." - Lawrence Looks at Books

About the Author

Carol Rose is professor of human resource management and a research fellow in social and public policy, at the University of Kent, Kent, England.

Most helpful customer reviews

0 of 0 people found the following review helpful.
If you're looking for a children's book with colorful illustrations and a sentimental tone then you won't be as pleased as I was
By Digital Gal NB
This book was above all else an incredibly comprehensive mythical bestiary. No other single volume I've seen to date can compare to the sheer breadth of creatures referenced in these pages. It gives a truly global perspective to the term monster. In my case, this book was everything I had hoped it would be -- a thorough encyclopedia on the subject. If you're looking for a children's book with colorful illustrations and a sentimental tone then you won't be as pleased as I was with this purchase. This book serves to introduce the reader to the various imaginary creatures of the world, many of which will surely be new to the average enthusiast, and hopefully inspire them to further investigate those they find particularly intriguing.

0 of 0 people found the following review helpful.
A condensed compendium for serious knowledge seekers of mythological creatures
By Peppercorn
Encyclopaedias have always enjoyed favour as a means of presenting subject matter in a condensed and accessible form. There are a number of books that treat giants, monsters and mystery animals none however seems to cover the entire lot in one book including symbolic elements. In alphabetical order giving basic descriptions of each creature as well as its activities, region, culture and historical period. In addition to the basic description and explanation of the origins the author explains parallels to other cultural icons, common heritages and manifestations pertaining to modern popular culture. My only disappointment in this book would be the pictures although there were a number of sketches they were all black and white a bit of colour would have improved the visual effect of this encyclopaedia greatly. We have after all grown accustomed to artistically drawn and designed books.
Mythical creatures have always generated popularity of immense proportion in literary works, film, t/v and the most basic beginning story telling. They are legendary creatures believed at one point in our past history to be real beings. Mythical creatures can easily be divided into two groups ones that actually existed ones that are a composition of imagination gone wild in a time where imagination played a large part of existence. Over time these stories become legends they are then transferred into modern day mythological beings or creatures through film and majestic art work. Each country has their own mythical and magical creatures, monsters and legendary heroes brought to life in a continuum. We are constantly searching and wanting to know more about these myths, they are forever haunting our imagination and will forever continue to run along the imaginary mind. Movies, books on superheroes are forever bringing these mythical beings back to life.

2 of 2 people found the following review helpful.
A very concise source of information.
By Robert Wilson
I was surprised with the extensive amount of listings within the book. There is a lot of otherwise hard to find information. I would have given this book 5 stars if it weren't for one thing; there is no index. A book like this should really contain an index for those looking for particular traits, or words within a creature's definition. However there are listings in the back based on different characteristics it is not as exhaustive or all around helpful as a simple index would be. Don't get me wrong though, this book is still well worth the purchase. Besides you can search through the book for keywords on this webpage by clicking "Search Inside".

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Jumat, 24 Oktober 2014

[E878.Ebook] PDF Download Al-Kafi, Volume 3 of 8: English Translation, by Thiqatu al-Islam, Abu Ja'far Muhammad ibn Ya'qub al-Kulayni

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Al-Kafi, Volume 3 of 8: English Translation, by Thiqatu al-Islam, Abu Ja'far Muhammad ibn Ya'qub al-Kulayni

Al-Kafi, Volume 3 of 8 (Fru' al-Kafi) - Compiled by Thiqatu al-Islam, Abu Ja’far Muhammad ibn Ya’qub al-Kulayni; English Translation by Shaykh Muhammad Sarwar. Al-Kafi - The first and foremost comprehensive book of Hadith of the Holy Prophet, with his Ahl al-Bayt as narrators, dealing with issues of theology and ethics, practical laws such as laws of taharat (cleanliness), laws of worship (prayer, zakat, fasting, hajj and jihad), laws of business, laws of family and social relations, and judicial laws.

  • Sales Rank: #996095 in Books
  • Published on: 2015-02-18
  • Original language: English
  • Dimensions: 9.00" h x 1.18" w x 6.00" l, 1.53 pounds
  • Binding: Paperback
  • 522 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
EXCELLANT WORK
By Ali Jaffry
Excellant book, Muhammad Sarwar has done an excellant job, translating this Epic book, the language is easy to read and understand. May Allah reward him for the hard work. I am thankful to the islamic seminary to bring out this excellant work for wider audience and also for those people who do not know how to read or understand arabic.

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Kamis, 23 Oktober 2014

[Q136.Ebook] Get Free Ebook Essence of Homeopathic Materia Medica, by George Vithoulkas

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Essence of Homeopathic Materia Medica, by George Vithoulkas

This second edition has been prepared with the text freed from the errors that the first one carried and an index of remedies added. It is expected that this index will facilitate understanding of the fine differences in the symptomatology of the remedies answering the same rubric in the repertory, thus help pick up the right remedy for the case in hand.

  • Sales Rank: #711175 in Books
  • Published on: 2008-07-30
  • Original language: English
  • Dimensions: 5.51" h x .39" w x 8.46" l, .73 pounds
  • Binding: Paperback
  • 218 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent
By Nancy T
This is the "Stolen Essences" from years ago. Some misleading material but the rest of it is quite good.

1 of 1 people found the following review helpful.
Five Stars
By reilly
very good treatment, good price & shipping.

0 of 0 people found the following review helpful.
Five Stars
By Abraham K. Anthony
great book

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Senin, 20 Oktober 2014

[K662.Ebook] Download PDF International Television Co-Production: From Access to Success (ENG), by Unknown Author

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International Television Co-Production: From Access to Success (ENG), by Unknown Author

A pragmatic guide to succeeding in the global television marketplace of the 90's and the next century. The book prepares readers to help create, produce, or distribute television programs produced jointly by production companies based in different
countries.



  • Sales Rank: #5773268 in Books
  • Published on: 1992-06-18
  • Original language: English
  • Number of items: 1
  • Dimensions: .34" h x 6.02" w x 9.17" l, 1.10 pounds
  • Binding: Paperback
  • 112 pages

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Kamis, 16 Oktober 2014

[C274.Ebook] Free PDF The End of Sexual Identity: Why Sex Is Too Important to Define Who We Are, by Jenell Williams Paris

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The End of Sexual Identity: Why Sex Is Too Important to Define Who We Are, by Jenell Williams Paris

Sexual identity has become an idol in both the culture at large and in the Christian subculture. And yet concepts like "gay" or "straight" are relatively recent developments in human history. We let ourselves be defined by socially constructed notions of sexual identity and sexual orientation--even though these may not be the only or best ways to think about sexuality. Anthropologist Jenell Williams Paris offers a Christian framework for sexual holiness that accounts for complex postmodern realities. She assesses problems with popular cultural and Christian understandings of heterosexuality and homosexuality alike. The End of Sexual Identity moves beyond culture-war impasses to open up new space for conversations in diverse communities both inside and outside the church.

  • Sales Rank: #358803 in Books
  • Published on: 2011-03-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .50" w x 5.50" l, .45 pounds
  • Binding: Paperback
  • 160 pages

Review
With an ironic smile, The End of Sexual Identity attempts to perform reparative therapy on the church, so that she will convert from her cultural orientation back to the biblical one where humans are regarded as just humans-not reduced to their sexual deeds and desires. Paris shows that the sexual identity framework was not dropped on earth by some divine skyhook; we're better off without this newfangled invention. Hers is a prophetic call for the church to get over its heterosexist moral superiority and get on with its business of shepherding all persons toward sexual holiness. (Christopher Benson, Christianity Today Online, July 2012)

"This is a great book . . . Paris uses world history, culture, story, Scripture, thorough research and personal opinion to educate and challenge us to grow in our biblical worldview on sexuality, our compassion for individual differences and struggles, and encourages us to cease using what she calls a "sexual identity framework" to define who we are. She does all this and yet calls us to sexual holiness and repentance. I do hope you will read it!" (Kent Miller, YouthWorker Journal, May/June 2011)

"God gave us genitals, but he didn't stop there. He made us human. What does that mean? And what is love of neighbor? What is a welcoming church? What are strengths of celibacy when supported by Christian community? Not just scholarly but also painfully and hilariously personal, this book shatters stereotypes for the sake of the kingdom." (Miriam Adeney, professor, Seattle Pacific University, and author of Kingdom Without Borders)

"Jenell Paris has produced a provocative and astute diagnosis of our situation in the US: living in 'an oversexualized culture with an undersexualized spirituality.' She refuses to argue in broad generalizations and to remain content with the polarized categories that Christian reflections on sex and sexuality so often produce. As a Christian cultural anthropologist she digs below the surface and brings a sophisticated interpretation of the cultural complexity of our sexual lives. Her most piercing contribution is in challenging the 'sexual identity framework' itself that traps both Christian and non-Christian reflection on sexuality. She exposes just how paralyzed Christians become by the categories borrowed from the cultural waters we swim in, particularly the socially constructed and historically recent categories of 'heterosexual' and 'homosexual.' As someone who describes herself as a 'sex only within marriage between a man and a woman' kind of Christian, Dr. Paris's insights will surprise and challenge readers from seemingly incompatible perspectives on these issues. She is consistently gracious, but definitely not nice." (Jamie Gates, M.Div., Ph.D., cultural anthropologist and director of the Center for Justice and Reconciliation at Point Loma Nazarene University)

"I love Jenell Williams Paris's suggestion that we not stuff anyone into any identity box other than the one for those Jesus calls beloved. It's exceedingly hard to say a fresh word on these matters. Paris has done so with wisdom and gentleness." (Jason Byassee, executive director of leadership education, Duke Divinity School)

"The End of Sexual Identity is a brilliant, bold, personal and biblically grounded work that is destined to become a classic in its field. By exposing the culturally conditioned nature of our modern Western 'sexual identity framework,' Paris completely reframes Christian debates about sexual ethics and thereby helps us (finally!) move effectively in our understanding of what it means to pursue sexual holiness. As a pastor, I have to confess that this is the most helpful, paradigm-changing and stimulating book on this topic I've ever read. I couldn't recommend it more strongly!" (Greg Boyd, senior pastor, Woodland Hills Church)

"This is a singularly important book, about sexuality but also about culture, and it is a model of charity, clarity and creativity. While this is certainly not the last word on Christian sexual ethics, it could be the first word of a better and more honest conversation about holiness and faithfulness amidst our age's sexual confusion." (Andy Crouch, author of Culture Making: Recovering Our Creative Calling)

"Jenell Paris does us a great favor by reminding us that God didn't create heterosexuals or homosexuals. People did, and fairly recently, in fact. Paris reveals the church's cultural captivity to Western ideas of sexual identity and orientation--that what we want, sexually speaking, is who we are. Humbug. Paris challenges the church with the words of Paul: don't be captive to the patterns of this world. Both heterosexuality and homosexuality--and the panoply of other possible identities and acronyms--are social constructions that pose problems for a people whose identity is to be found in Christ. Instead, Paris reminds us that God has redeemed us, called us by name and claimed us as his own. That is an identity worth affirming. Paris challenges us to live beyond sexual identity, even as we pursue sexual holiness, and provides us with a vision for what a post-sexual-identity church might look like. This is a rich book, one that is long overdue. It is theologically sound, has deep ramifications for the church and will rattle some quarters. Good." (Mark D. Regnerus, professor of sociology, University of Texas, and author of Forbidden Fruit and Premarital Sex in America)

"Jenell Williams Paris brings a fresh perspective to the subject of sexual identity as she reminds us that we are all just people and far from perfect, 'each of whom is lover and loved.' She invites us to extend and receive grace even as she boldly encourages us to think a bit differently than we might about sexuality. I highly recommend it." (Lisa Graham McMinn, Ph.D., professor of sociology and author of Sexuality and Holy Longing)

"Honest. Smart. Provocative. Helpful. Important. Pitch-perfect. These are only a few of the words that came to mind when I read Jenell Williams Paris's book The End of Sexual Identity. This book is a must-read for engaging the issue of sexuality in our world today. Not only does Jenell call us to a better way to engage with sexuality, she casts a beautiful vision of what sexual wholeness and a post-sexual identity church can be." (Doug Pagitt, pastor, Solomon's Porch, Minneapolis, Minnesota, and author of A Christianity Worth Believing)

"It is exciting to me to read Christian scholars who take their faith and their discipline seriously. As a Christian and an anthropologist, Jenell Williams Paris does just that and applies her understanding to the challenging topic of sexual identity, drawing conclusions that, while controversial, warrant our attention and may lead the way to a more constructive conversation." (Mark A. Yarhouse, Psy.D., professor of psychology, endowed chair and director of the Institute for the Study of Sexual Identity, Regent University)

About the Author
Jenell Williams Paris (Ph.D., American University) is professor of anthropology at Messiah College in Grantham, Pennsylvania. She has written for such publications as Christianity Today, Books & Culture and Christian Scholar's Review. Her books include Birth Control for Christians, Urban Disciples and Introducing Cultural Anthropology: A Christian Perspective.

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47 of 47 people found the following review helpful.
Good overall, but one major problem
By Karen
Paris' goal for her book is admirable. She is concerned about the moral superiority that many straight Christians have that cause them to judge those who are gay. She believes that the categories "heterosexual" and "homosexual" are unhelpful constructs that create unnecessary division between groups of people. Paris proposes an end to sexual identity. By refusing to take on a label of straight or gay, she hopes to level the playing field as each of us consider the other first and foremost as a human being created by God. Thus, Paris says she tells her class that she is not heterosexual--even as she recognizes that her sexual identity is obvious (she is married with children, etc). She argues that she does not want to be heterosexual because she does not want a life of privilege in which other people are marginalized.

Paris' goal is noble. She provides an important message to those Christians who have so alienated LGBT people as completely Other. Her book is well done and I recommend it overall. However there is a fundamental and important problem with her thesis; she takes a "love is color blind" approach. This common phrase was popular awhile back as a way of speaking against racism. However, many came to recognize the significant flaw in that concept. If one has to pretend not to see a person's black skin in order to love her, then how is that love? Rather true love sees a person's skin color and loves him with that skin color. Furthermore, pretending a person is not black does nothing to eliminate the very real embodied existence of people. This is true for gender as well. We can pretend that there is not a rigid category of "female", but even without societal prejudice, a woman's experience of pain every month because of menstruation or the experience of childbirth are fundamentally different than the embodied reality of males.

Paris can say she does not want to be heterosexual in order to avoid being privileged, but that will not change her privileged status or serve to reduce marginalization. The fact is, we cannot live in a "gender blind" or "sexuality blind" world. The solution is not to pretend these categories don't exist, but rather to shape people's hearts and minds such that they humanize those who are different from themselves. Paris understands this to some extent. She knows saying she is no longer heterosexual is "inane" because she is happily married to a man and is a mother--things that visibly mark her in our society as heterosexual. Whether or not we use labels, we display our sexuality on a daily basis in a myriad of ways. The moment a gay person reaches over to hold the hand of his partner while sitting in a restaurant, his orientation becomes known. It is precisely because our sexuality is so public and visible that gay people have fought to come up for air. Having to hide such a public aspect of self is exhausting and leads to a life of pretense. Its not that there was never such a thing as a sexual identity or orientation, but that heterosexual identity is so ingrained in the cultural structure that the privileged take it for granted. Cultures across history have had all kinds of rituals and markers to proclaim their sexual identity--marriage rites, courting/mating rituals, customs around procreation, boundaries of who and who is not an appropriate sexual partner, etc.

People attracted to their own sex have lived in secrecy precisely because everyone knows exactly what heterosexual is and what homosexual is. Despite her book focusing on the issue of sexual identity, it is strangely silent on why LGBT identity has developed in the first place. What she desires to accomplish in her work will not succeed until she more clearly addresses why identity is important to many gay people. It is easy for her to dismiss sexual identity because her status is accepted. In fact, she can refuse to use the term heterosexual but she is still marked and recognized as such by how she lives her life. But for those of us who do not fit the norm, having some ability to name our sexuality is very important. We no longer have to pretend our lives are like everyone else's. Its exhausting not to be able to share about life, relationships, and love. More than that it prevents the ability to have meaningful relationships with others. Gay people desire to be treated with dignity and respect despite difference and not merely loved because no one really knows us--because we have had to hide so much of ourselves.

Paris is right to acknowledge that there are different ways to think about gender and sexuality beyond the binary. She is right to deconstruct the binary between heterosexual and homosexual. Those do not capture the complexity of human experience. But, the variety that exists does not negate the reality that there are those who, indeed, have fixed sexual orientations from a young age that do not change despite any effort to change. These individuals ARE different--and not just different on a simplistic level of desire. Many gay people realize they are different long before puberty or sexual feelings. It is not uncommon for gay people to be gender atypical or have particular giftedness in certain areas; for example, music, the arts, and some studies even show lesbians have a higher than average IQ and greater perceptivity skills.

To make my point, I will use my own life as an example. I grew up in a very conservative Baptist church. I didn't become gay because of the power of suggestion or as Paris puts it "what is defined as real is real in its effect." Paris also writes: "Desires, however biologically grounded, are formed by culture; we can't want what we don't know." Actually we can and quite often are surprised by unexpected desire! I had no known exposure to gay people. Gay people were seen as utterly alien and degenerate sub-humans outside the Church. I was gender atypical from the get-go, a tomboy. And I had crushes on girls even before the crushes became sexual. I have never been in love with a man in my life, but I have definitely experienced being in love with more than one woman. When I have tried to kiss a person of the opposite sex I felt nothing at best and wanted to vomit at worst. But, kissing a woman is incredibly powerful and beautiful. Coming to terms with my sexuality after falling in love with my best friend at the age of 17 was extremely traumatic because I could not fathom how a good Christian girl like me, going off to Bible college to be a missionary, could possibly be gay.

I cannot hide my sexual identity as Paris would suggest I do. Not if I want to live an honest life. My sexuality makes itself known any time I don't engage in normal social interactions. For example, in college some of my female friends were talking about boys and then they stopped and said, "Karen, how come you never talk about boys?" Even without disclosing my sexuality, they knew I was different because I could not participate in ordinary social conversation and behavior. Why wasn't I dating? Or why did I like the female characters in the movie while my friends gushed over the boys? Why am I not married yet? Or what about simple conversations about dating history and being in love? And this is true even when I am not dating any women! If I were in a dating relationship, I would only have to open my mouth and say what I am doing on a Friday night (going on a date) in order to disclose my difference. I would disclose my difference if I just held hands with my significant other.

So we can pretend all we want about getting rid of categories, but not using labels does not change reality. And the reality is there are people who are primarily attracted to the opposite sex and will have markers in their lives that identify them as such. And there are those who are primarily attracted to the same-sex and will have markers as such--if they are brave enough to live an honest life that many heterosexual people take for granted. This does not mean that acknowledging one's sexuality precludes a Christian identity. My identity is grounded in Christ. But we all use different labels--not just one. Yes, I am first of all a human being made in the image of God, but I am also a woman, gay, etc. These profoundly shape my experience. To say I should not refer to myself as gay is like saying I should stop calling myself a "woman" because if I pretend male and female are not real categories it might somehow eliminate discrimination against women.

Even as a celibate gay person, I have found it important to name my experience. We need language to make sense of our lives. Even Paris acknowledges that it is difficult to function without labels such as "professor", "mother" etc. Paris' advice might be useful for privileged heterosexuals who have not had to face their privilege. But it is not helpful for people like me. It invalidates me and my experience. And not only does it invalidate me, but her desire to be rid of identity labels can actually be damaging. For example, she may not realize that the ex-gay movement (which I was once a part of) has significant baggage around its reluctance for participants to use the term "gay". It is common for an "ex-gay" person to say they are "no longer gay" even though they still have all their same-sex attractions. This has resulted in the perpetuation of a huge deception--a deception the Religious Right capitalized on in order to "prove" that sexual orientation is changeable and thus, gay people should not be protected from any discrimination. It has also led to self-deception. People so badly wanted to be straight and have normal lives that they would convince themselves they were "no longer gay" and get married to the opposite sex, not infrequently without disastrous results.

The renunciation of sexual identity easily perpetuates a deception, a pretense. We all know there is such a thing as "a person who is predominately attracted to the same-sex" and a "a person who is predominately attracted to the opposite sex." You can call them whatever you want or just use lengthy descriptive phrases like I just did, but the realities and, thus, categories exist. Prejudice does not exist because we use terms like "heterosexual" and "homosexual". Prejudice is evoked the moment most conservative Christians see a man hold his male partner's hand and revulsion is the automatic response. Instead of pretending the categories don't exist, we need to be Christians who don't have to be blind in order to love. We need to be Christians who have our eyes wide open and are filled with compassion and understanding when we see, actually see, the human being who stands before us--however different she is.

21 of 21 people found the following review helpful.
The Thinking Christian's Guide to (Ending) Sexual Identity
By Timothy Buchanan
This is the first time I have read anything by Janell Paris, but I have to say I was really pleased with what I read! I happened across this book immediately after having a discussion with a pastor friend concerning sexual identity. As a friend of mine recently "came out" to me, I began wondering how I could possibly ask him to find his identity in Christ rather than in his sexual identity, when I was perfectly comfortable finding my identity in my own heterosexuality. With Paris' help, you will find yourself deconstructing your own sexual identity to discover the beloved individual beneath. One of Paris' main points is that when you find you identity in the love of Christ, you no longer need to find your identity in your sexuality. Rather, individual aspects of your sexual nature can be observed independently and can be adjusted and surrendered with fluidity. The question is now no longer "Can gay people change?" but "Are we each willing to surrender every aspect of our multifaceted sexuality to the will of a loving God?"

After having read this book, I find myself more comfortable "coming out" as a "non-heterosexual." This doesn't mean that I will leave my wife or begin pursuing members of my same sex. Rather, it is my way of disassociating my identity from my sexuality. My identity is as a beloved child of God, not a heterosexual married male. And there is comfort and hope in that for both opposite-sex attracted individuals and same-sex attracted individuals.

The only thing that kept me from giving this book a full 5 stars is that I was really looking for a more straightforward guide to ministering to people with "non-traditional" sexual leaning. But ultimately, it drew me to a deeper (albeit more difficult) place of exploring sexuality, identity, grace, and hope. And for that, I'm thankful.

As a youth pastor, I highly recommend this book to anyone ministering to people struggling or dealing with issues of sexual and gender identity issues, as it will Biblically and thoughtfully re-frame the way you think about sexuality and people. Definitely worth reading.

15 of 15 people found the following review helpful.
Doing away with inappropriate categories
By D. Maddalena
Paris' book was very encouraging to me. I've felt dissatisfied with the state of the public dialog around issues of sexuality. It has begun to feel like a gang-war raging outside my door: each side demonizing the other, dismissing them with broad generalizations based on the "colors" they wear. Paris suggests a third way to the thoughtful Christian (and not Christians alone), who hopes to see the question of identity dealt with in a more rational way. Her simple point is that our identity is not determined by our feelings, desires, orientations, hopes, and dreams. God alone is the source of our identity, especially if we name ourselves Christian. So if any human comes to Jesus, if any person is willing to be identified as a follower of Jesus, the question becomes, "how then will they live?". This suggests that a deeper, harder, more honest dialog is in order -- not identifying anyone based on behavior (right, wrong, or in between) but on their willingness to be counted as belonging to Jesus. From that place of solidarity, each person, regardless of how they struggle for purity in the world, has the same task, to face God and to pursue deeper devotion every day.

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Rabu, 15 Oktober 2014

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An Artist of the Floating World, by Kazuo Ishiguro

In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II.

Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the “floating world”—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.

  • Sales Rank: #132489 in Books
  • Brand: Vintage International
  • Published on: 1989-09-19
  • Released on: 1989-09-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.20" l,
  • Binding: Paperback
  • 206 pages
Features
  • Great product!

Most helpful customer reviews

61 of 63 people found the following review helpful.
Fascinating Japanese Parallel to "The Remains of the Day"
By Michael Wischmeyer
I read "An Artist of the Floating World" twice in one week, once in fascination and once more to explore the nuances and subtleties that characterize Kazuo Ishiguro's novels. This short work, Ishiguro's second novel, was short listed for the prestigious Booker Prize. Both a character study and an intriguing glimpse of pre-war Japan, in many ways it is a Japanese parallel to Ishiguro's highly successful third novel, "The Remains of the Day".
Ishiguro enjoys slowly revealing his characters through their recollection of events long past. The memories are often fragmented, sometimes hazy, someimes simply untrustworthy. In "An Artist of the Floating World" the situation is further complicated by the tendency of its protagonist, Masuji Ono, to misinterpret his own memories.
"An Artist of the Floating World" is a portrait as Masuji Ono saw himself, and as he believed that others saw him. It is three years after Japan's defeat and Ono is preoccupied with the negotiations around his younger daughter's proposed marriage. Last year Noriko's marriage negotiations with another young man were unexpectedly treminated by the groom's family. Almost without self-awareness, Ono begins to question whether his artistic support of the imperialistic movement in the thirties and during the war now places his daughter's prospects in jeopardy.
Although Ono sees himself as a modest man, he overstates the impact that his military and patriotic art had in conditioning the Japanese people for the impending imperialistic war effort. It is never quite clear just how popular and widespread his war posters actually were. In contrast, Ono seems incapable of recognizing the magnitude of his crime against his best student, Kuroda, whom he betrayed to the authorities. He rationalizes that Kuroda's years in prison now give him credibility in the new Japan and that he will fare well in the post-war period. He is even so naive as to believe that Kuroda might be persuaded to overlook the past and thus support, or at least not hinder, his daughter Noriko's ongoing marriage negotiations.
I highly recommend "An Artist of the Floating World" for readers either new to Kazuo Ishiguro or already familiar with his other novels. It is an intricate work of beauty.

48 of 49 people found the following review helpful.
The sometimes uncomfortable power of art
By Daniel Friedman
What happens when legitimate art turns into propaganda and can propaganda be considered legitimate art? What happens to the artist who ventures into propaganda when his side loses the political battle? Can he still create art for art's sake?
These are some of the questions explored in An Artist of the Floating World, Kazuo Ishiguro's excellent novel of postwar Japan and the musings/fate of a renowned artist who, having served the imperial cause during the war, is now very much suffering for it.
Ishiguro writes with an excellent blend of economy and descriptive language that wastes no words or passages on tangents or irrelevance. He creates postwar Japan so vividly it is a true "you-are-there" read. Very rarely are authors capable of weaving such realism into a non-contemporary setting. It's also a very fast moving story, in spite of the fact that in terms of action there is very little. You come to know and understand the characters so completely that it simply adds to the effect of the realism.
A classic work by a very talented writer.

59 of 65 people found the following review helpful.
A quiet novel about art and war and good intentions
By Zack Davisson
"An Artist of the Floating World" is a beautiful little novel, written in typical Ishiguro style, with the calm surface waters belaying the rapid current that flows beneath. It is an interesting style that attempts to ape classical Japanese literature, infusing it with Ishiguro's innate Brittishness, coming from being born of Japanese parents but raised in Britain.
As with his other novels, and part of his style, a knowledge of historical events is taken for granted on the part of the reader. Allusions are made to once-famous or infamous events and people, and names are dropped with the understanding that everyone is intimately familiar with WWII and the cultures of Japan and England.
The title is a bit misleading, as the "Floating World" is usually associated with the Edo period of Japan, and not with the Fascist era of Showa. Anyone expecting Geishas and Samurai will be disappointed.
A very quick and quiet read, "An Artist of the Floating World" is something than can be read over a weekend with a cup of green tea. It contributes a viewpoint, and a necessary one, to WWII Japan and paints a human face onto a troubled period of history. Love and family and duty are on display here, along with good intentions leading down dark paths, and the righteousness of actions and re-actions.
Like "Remains of the Day," "An Artist of the Floating World" is an intimate, beautiful character sketch. Very much worth the limited time needed to enjoy the book.

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Minggu, 12 Oktober 2014

[S262.Ebook] PDF Ebook Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson

PDF Ebook Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson

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Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson

Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson



Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson

PDF Ebook Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson

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Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson

A level 4 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read.


Retold for Learners of English by Rosemary Border.


You are walking through the streets of London. It is getting dark and you want to get home quickly. You enter a narrow side-street. Everything is quiet, but as you pass the door of a large, windowless building, you hear a key turning in the lock. A man comes out and looks at you. You have never seen him before, but you realize immediately that he hates you. You are shocked to discover, also, that you hate him.


Who is this man that everybody hates? And why is he coming out of the laboratory of the very respectable Dr Jekyll?

  • Sales Rank: #1082119 in eBooks
  • Published on: 2007-11-29
  • Released on: 2014-09-03
  • Format: Kindle eBook

About the Author
Jennifer Bassett is Series Editor of the Oxford Bookworms Collection, for which she has written original stories One-Way Ticket and The President's Murderer.

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Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson PDF
Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson EPub
Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson Doc
Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson iBooks
Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson rtf
Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson Mobipocket
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Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson PDF

Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson PDF

Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson PDF
Dr Jekyll and Mr Hyde - With Audio, Oxford Bookworms Library: 1400 Headwords, by Robert Louis Stevenson PDF