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A Passage to India, by E.M. Forster
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Among the greatest novels of the twentieth century and the basis for director David Lean’s Academy Award-winning film, A Passage to India tells of the clash of cultures in British India after the turn of the century. In exquisite prose, Forster reveals the menace that lurks just beneath the surface of ordinary life, as a common misunderstanding erupts into a devastating affair.
- Sales Rank: #13907 in Books
- Color: Tan
- Brand: Mariner Books
- Published on: 1965-03-17
- Released on: 1965-03-17
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 5.50" w x .75" l,
- Binding: Paperback
- 368 pages
- Great product!
Amazon.com Review
What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster's 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: Can an Englishman and an Indian be friends?
"It is impossible here," an Indian character tells his friend, Dr. Aziz, early in the novel. "They come out intending to be gentlemen, and are told it will not do.... Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage--Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection.
"He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!
"I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike." Written while England was still firmly in control of India, Forster's novel follows the fortunes of three English newcomers to India--Miss Adela Quested, Mrs. Moore, and Cyril Fielding--and the Indian, Dr. Aziz, with whom they cross destinies. The idea of true friendship between the races was a radical one in Forster's time, and he makes it abundantly clear that it was not one that either side welcomed. If Aziz's friend, Hamidullah, believed it impossible, the British representatives of the Raj were equally discouraging. "Why, the kindest thing one can do to a native is to let him die," said Mrs. Callendar.
"How if he went to heaven?" asked Mrs. Moore, with a gentle but crooked smile.
"He can go where he likes as long as he doesn't come near me. They give me the creeps." Despite their countrymen's disapproval, Miss Quested, Mrs. Moore, and Mr. Fielding are all eager to meet Indians, and in Dr. Aziz they find a perfect companion: educated, westernized, and open-minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr. Aziz of sexually assaulting her, then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.
Arguably Forster's greatest novel, A Passage to India limns a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political and in the breach between Aziz and his English "friends," Forster foreshadows the eventual end of the Raj. --Alix Wilber
From School Library Journal
Grade 9 Up-By E.M. Forster. Narrated by Flo Gibson.
Copyright 1999 Reed Business Information, Inc.
Review
What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster's 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: Can an Englishman and an Indian be friends?
"It is impossible here," an Indian character tells his friend, Dr. Aziz, early in the novel. "They come out intending to be gentlemen, and are told it will not do.... Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage--Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection.
"He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!
"I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike."
"How if he went to heaven?" asked Mrs. Moore, with a gentle but crooked smile.
"He can go where he likes as long as he doesn't come near me. They give me the creeps." Despite their countrymen's disapproval, Miss Quested, Mrs. Moore, and Mr. Fielding are all eager to meet Indians, and in Dr. Aziz they find a perfect companion: educated, westernized, and open-minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr. Aziz of sexually assaulting her, then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.
Arguably Forster's greatest novel, A Passage to India limns a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political and in the breach between Aziz and his English "friends," Forster foreshadows the eventual end of the Raj.
Most helpful customer reviews
14 of 14 people found the following review helpful.
Forster's finest novel, but this electronic version is plagued with scanning transcription errors.
By Jim Ryan
In many ways this is my favorite of Forster's novels. His ironic narrative style is never better, starting with describing Chandrapore as "Edged rather than washed by the river Ganges..." The characters are complex and variable people who often despite their own better instincts are impelled and animated by external forces. Forster does an exceptional job of portraying the divisions that define daily life in inter-War India. There are difficult divisions between the ruling British and their Indian subjects; between Muslims and Hindus; and between the various social castes within each of the groups. Nearly 100 years later, it's a sobering perspective on the Subcontinent.
Unfortunately, this scanned digital edition contains dozens of OCR typographical errors that even a cursory proofreading could have corrected. "The" is repeatedly rendered as "tile" and many other issues, and the effect is very distracting. Hopefully the publishers will see fit to correct the transcription errors in this outstanding novel.
13 of 13 people found the following review helpful.
Avoid this version
By Koogan
Avoid this edition. As mentioned in another review, this is a poor version. The strangest thing of all is that what appears to be the introduction is actually a very negative commentary about the book. This "introduction" essentially says this a bad book and not worth reading. I got a refund, but it would probably be best if Amazon removed the item completely.
7 of 7 people found the following review helpful.
Don't Pass this Great Story by because of Poor Digitalizing and Don't bother with the Intro!
By Isabella R
This is hoping to not scare people away from this great book….
A Passage to India
YES, this book has significant problems in it’s digitalized form, but if it is the ONLY way you can read it….skip the intro and read the story in a spirit of forgiveness for the poor format.
By all means if you can find a better copy, do so;
But do not miss Forster’s insightful story-telling that gives so much understanding to the human experience of colonialism (both from the English side and the Indian side).
Fascinating insight into colonialism and English-Indian relationships through very personal encounters. The microcosm of the story will give you layer after layer of understanding into this period in history. If you watched the movie Ghandi and think you ‘know’ enough about colonial India, you have cheated yourself. Getting to know the characters Dr Aziz, Cyril Fielding, Mrs. Moore, Ronny Heaslop and Narayan Godbole gives clarity to the “muddle” that is colonialism.
And BTW, if you have seen the movie you have not experienced ‘A Passage to India’. Yes, the events follow very closely the book, but it is missing the soul of the STORY.
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